Review / 200 Words Or Less
Georgie James
Places

Saddle Creek (2007) Graham Isador

Georgie James – Places cover artwork
Georgie James – Places — Saddle Creek, 2007

Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation on the debut, creating a charming blend to their melody. Drawing comparisons to an up beat version of Death Cab for Cutie, the pair suffer slightly from monotony as the album progresses, but manage to connect with a few choice tracks, most noticeably "Long Week" a song dealing with the come down from a natural high. While Davis' contributions to the record are certainly notable it is Burhenn's lead vocal tracks where the band are at their best, the support Davis gives accents quite well but is not strong enough to carry a full song. Places hints at the talent that Georgie James is capable of and with the recent additions of Andrew Black of The Explosion and Michael Cotterman of The Loved Ones, it'll be interesting to see how the group progresses.

Georgie James – Places cover artwork
Georgie James – Places — Saddle Creek, 2007

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more