Review / 200 Words Or Less
Georgie James
Places

Saddle Creek (2007) Graham Isador

Georgie James – Places cover artwork
Georgie James – Places — Saddle Creek, 2007

Bridging elements of power/indie pop while harnessing a danceable sound reminiscent of the better radio friendly tracks from the 1950's through the 1970's, Georgie James gives us Places. The Washington D.C. songwriting duo consisting of John Davis, drummer of the disbanded Dischord act Q and Not U, and Laura Burhenn, a locally established solo musician, share vocal duties and instrumentation on the debut, creating a charming blend to their melody. Drawing comparisons to an up beat version of Death Cab for Cutie, the pair suffer slightly from monotony as the album progresses, but manage to connect with a few choice tracks, most noticeably "Long Week" a song dealing with the come down from a natural high. While Davis' contributions to the record are certainly notable it is Burhenn's lead vocal tracks where the band are at their best, the support Davis gives accents quite well but is not strong enough to carry a full song. Places hints at the talent that Georgie James is capable of and with the recent additions of Andrew Black of The Explosion and Michael Cotterman of The Loved Ones, it'll be interesting to see how the group progresses.

Georgie James – Places cover artwork
Georgie James – Places — Saddle Creek, 2007

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more