Review
Grandaddy
Sumday

V2 (2003) — Jeff

Grandaddy – Sumday cover artwork
Grandaddy – Sumday — V2, 2003

Once again, Grandaddy travel down the familiar road of attaching a human face on technology for the sole purpose of denouncing it. In a shockingly ironic way, Sumday's pleasant, mid-tempo/mid-range vocal melodies and soothing rhythms make it ideal music for programming. With lines like "I'm wondering if I'll ever know/if I'll be better than I was before/when I surface through the service door," and "I got good at saying I gotta go /number one at I don't know/but from the stories that I heard/you humans require more words," both from "I'm on Standby," programming majors almost feel guilty listening to it while crafting car wash sims with queue class functions. Almost. This album is absolutely too good to put down.

Sumday kicks off with the instantly catchy "Now It's On," and for five more tracks, the album uses the same staccato rhythms laced with sixteenth notes over and over. While the similarities are noticeable, the listener won't care because each song is still very solid and unique. After about a half an hour of this, the album then takes an odd turn and divides the vinylites and Cdphiles right down the middle. For the people listening to the CD, they hear a sprawling and somewhat-unwanted change of pace in "Yeah is What We Had." For those with the vinyl, this kicks off the second side and, well, they were probably expecting some kind of change in the first place. Bottom line is the song will ruin a driving or gaming session if your skip button is broken or out-of-reach.

Next are probably some of the best tracks on the album, "Stray Dog and the Chocolate Shake," which is brilliantly built around a melody that sounds like something a high-school marching band would use for warmups, the cringerifically-titled but still excellent "OK With My Decay," "The Warming Sun" which features some great piano melodies that remind me of some songs from Abbey Road (disregarding the fact that it has two songs with "Sun" in the title), and the very satisfactory closer "The Final Push to the Sum."

If you're programming while listening to it, just make sure your program isn't smart enough to bite off your face and you'll be fine.

8.3 / 10 — Jeff • February 28, 2004

Grandaddy – Sumday cover artwork
Grandaddy – Sumday — V2, 2003

Recently-posted album reviews

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more

Wine Lips

TV Dinner
Stomp Records (2026)

ALBUM HIGHLIGHTS – “Leech”, “Semi Detached Furnished Home”, “Strip Club DJ”, “Static On The Radio” Toronto’s garage-psych punks Wine Lips bring us album number five. Aside from the awesomely colourful, off-the-wall humanoid artwork, TV Dinner takes a sharp turn from the sonically trippy toppings of previous entries – particularly 2024’s Mushroom Death Sex Bummer Party. Tracks are punchy fuzz-bombs, as … Read more

Psycho Beets

Horrendum
Trash Wax, White Riot Records (2026)

ALBUM HIGHLIGHTS – “Mam w sobie diabła”, “Zombie”, “Listopadowa noc”, “Porque te vas” Fancy some Polish psychobilly punk? Well, you’re in luck. This is for anyone who takes their classic rock ’n’ roll swing with a heavy dose of horror and dark Western twang, blending rockabilly elements with Slavic folk and chaotic yet mysterious post punk -– all as the … Read more