Review / 200 Words Or Less
Hank & Cupcakes
Self Titled EP

Independent (2011) Aaron H

Hank & Cupcakes – Self Titled EP cover artwork
Hank & Cupcakes – Self Titled EP — Independent, 2011

It’s time to loosen up because Hank & Cupcakes are looking to get you out of your chair and out on the dance floor. This electro-pop duo have released their debut self-titled EP chock-full of catchy beats and tasty rhythms.

The first track, “There Ain’t No Love,” gets you moving your body to Hank’s dulcet bass-riffs as Cupcakes keeps the beat on the drums and makes you swoon with her strong vocals. Next is “Pleasure Town.” This funky number starts off with Cupcakes singing the opening lyric before Hank brings about the hooks and the EP’s best chorus.

The duo slows things down with the third song, “Roses.” This ballad gives off an 80’s vibe with a soothing melody. The final track is a risky cover of Joy Division’s “She’s Lost Control.” It’s impressive to find that they pull it off. Although it has a shaky opening, the two soon find their groove and manage to deliver a solid rendition. Hank replaces the song’s original riff with a rhythmic bass-line while Cupcakes gives her best vocal performance that layers and echoes in the end.

Hank & Cupcakes are only getting started. Their catchy electro-pop fusion is bound to have us dancing in the future.

7.5 / 10Aaron H • March 15, 2011

Hank & Cupcakes – Self Titled EP cover artwork
Hank & Cupcakes – Self Titled EP — Independent, 2011

Related news

New song from Hank & Cupcakes

Posted in Bands on February 1, 2012

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more