Review / 200 Words Or Less
Josh Ritter
The Historical Conquests of Josh Ritter

Sony (2007) Scottie

Josh Ritter – The Historical Conquests of Josh Ritter cover artwork
Josh Ritter – The Historical Conquests of Josh Ritter — Sony, 2007

Awarding Josh Ritter the title of "the next Bob Dylan" seems audacious, but repeated listens to The Historical Conquests of Josh Ritter proves it a worthy statement to make. The opening track, "To the Dogs or Whoever," exhibits Dylan-esque vocals and rhythm, reminding me of '65 when Dylan tried to innovate folk music by plugging in. Ritter, too, attempts to elevate the genre. Does he succeed? The purists and anti-folk enthusiasts might argue Ritter's bastardizing the whole thing, but as Dylan said, "the times they are a-changin," and Josh Ritter shows that maybe it's for the better.

Using traditional folk as a point of departure he creates lush soundscapes, embracing a cornucopia of styles including gasp - pop. The end result: songs with the most unique attributes. The lyrics, including crushing on women in world history, are too dense to stick in your head, but the melodies are catchier than a television jingle, which may lead to compulsive humming. And the rhythm? It'll get even the most devout Christian dancing.

Sure, many will be turned off by polished production and major label distribution, but isn't that what Dylan did?

8.5 / 10Scottie • October 10, 2007

Josh Ritter – The Historical Conquests of Josh Ritter cover artwork
Josh Ritter – The Historical Conquests of Josh Ritter — Sony, 2007

Related news

Josh Ritter Covers The Boss

Posted in MP3s on October 19, 2007

Josh Ritter Posts Live Song

Posted in MP3s on October 1, 2007

Josh Ritter - "Mind's Eye" Live Video

Posted in Videos on August 22, 2007

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more