Review / 200 Words Or Less
Katie Ellen
Still Life

Lauren Records (2018) Kristen Swanson

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

What started as a two-piece project after the disbandment of Chumped, Katie Ellen are making a name for themselves in their own right. Since seeing the band live this year on tour with Lemuria, I’ve been obsessed with their latest release Still Life. From the record’s hauntingly beautiful lo-fi appeal to the openness of the lyrics to the beauty in their simplistic style, Katie Ellen remains humble and raw throughout Still Life. “Lighthouse” sounds like poetry, even complete with a spoken-word clip in the middle of the song. Vocalist Anika Pyle places emphasis on even the simplest of words and it translates musically into a harmonious personal and emotional experience. “City/Country” has some of the most relatable lyrics and the way the music subtlety builds behind the vocals really allow both to shine. 

Title track “Still Life” sums up the record perfectly: “You can’t make love stay/Do your best to hold it in place.” The longest track “Adaptation of Para Todos” was a smart move—starting off with power-pop feels the song dives into instrumental bliss halfway through. And like the ending message in “Lighthouse (Reprise),” it just brings the record back where it all started; home. 

Katie Ellen – Still Life cover artwork
Katie Ellen – Still Life — Lauren Records, 2018

Related news

Katie Ellen EP + dates with Lemuria

Posted in Records on July 7, 2018

Recently-posted album reviews

PitchBlack

Walking on Burning Ground
Producciones Paganas (2025)

Formed in the mid-2000s, PitchBlack have always been one of Danish metal’s most overlooked heavy hitters. A band is sitting between old-school melodeath grit and European thrash aggression, building a reputation on intensity instead of trends. They debuted with Designed to Dislike in 2007, followed it with The Devilty in 2011 (which landed them spots at Copenhell and Download UK), … Read more

Speed

All My Angels EP
Flatspot Records, Last Ride Records (2025)

If you haven’t hopped on the SPEED train when they broke through, now is the time. The band formed in Sydney and blew past “local band” status the second the world caught up to what Australia already knew. BIPOC-fronted, community-driven, and fueled by the belief that hardcore is supposed to mean something. They went from DIY shows to global festivals … Read more

Anna von Hausswolf

Iconoclasts
Year0001 (2025)

One of the most distinct voices of the current generation, Anna von Hausswolff's sound is wide and far-reaching. From dark ambient atmospherics and organ music fixation, to noise rock momentum and neo-classical arrangements, her music always balances a primordial ritualism and contemporary applications. It is an ongoing process, one that Anna has been refining over the years. In 2018, the … Read more