Review
Kissed by an Animal
Kissed by an Animal

HANDSTAND RECORDS (2019) Chris W

Kissed by an Animal – Kissed by an Animal cover artwork
Kissed by an Animal – Kissed by an Animal — HANDSTAND RECORDS, 2019

Kissed by an Animal is getting the vinyl treatment a year after release of their self title album from 2019. To describe these guys, well it’s hard to nail down a specific style that the Brooklyn, NY based band is trying to hit. To be honest, this album is hard to get use to in general.

To prepare for a review I like to look at the types of descriptions others would label these guys, and when I read that they had “searing guitar leads”, I was a bit taken back. This band is simple 90’s indie rock.

The album opens with a song called "Lemonade", which instantly gives you a sense of the lack of depth that lead singer, Dima Drjuchin, really has. Think high pitched whines. The lyrics don’t make much sense of anything and most of the songs sound like they are about drugs, or not? It’s hard to tell. Some songs definitely have great crunch and fuzz with that beloved garage noise sound, but the song writing doesn’t hold up to the production value. There are multiple songs where the vocal line matches the guitar melodies, and I’m sorry, just….no.

Given all of this and after listening to it around a dozen times I have to say it is definitely a “summer” sounding record. The tone is light and playful, and I have to say could be danceable with a willing participant. This is something that you would play at an outdoor BBQ for some light rock ambient background noise. The band is definitely solid, but they aren’t going to blow you away with any “searing guitar leads”.

I don’t hate the album, but I also will be deleting it from my playlist soon. It’s just not for me, and that’s ok! It’s worth a listen, but don’t spend to much time trying to let it grow on you.

4.0 / 10Chris W • July 7, 2020

Kissed by an Animal – Kissed by an Animal cover artwork
Kissed by an Animal – Kissed by an Animal — HANDSTAND RECORDS, 2019

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more