Review / 200 Words Or Less
Kississippi
Sunset Blush

Alcopop! Records (2018) Kristen Swanson

Kississippi – Sunset Blush cover artwork
Kississippi – Sunset Blush — Alcopop! Records, 2018

Philly duo Kississippi released their anticipated debut album Sunset Blush and unlike some records, it lived up to the hype. The album starts off with the song “Once Good,” perfectly blending elements of indie and folk with Zoë Reynolds’ voice beautifully texturing the track. “Cut Yr Teeth” is a sonically dreamy track complete with stellar lyrics. Reynolds is mesmerizing as the vocalist of the band—despite having a distinct sound, it’s hard to pinpoint her tone which adds another depth of dimension to the album as a whole. 

“Easier to Love” competes with the top mainstream pop tracks, but lyrically and vocally stand stronger than standard radio music while remaining undeniably catchy. “Mirror Kisser” delivers electropop vibes while “Shamer” perfects the art of simplicity. Similarly with “Who Said It First,” the tempo of the song showcases Reynolds' range along with the music as a whole. Kississippi explores different music styles not just within the album’s entirety, but sometimes within the same track—it’s fresh and inspiring. For a debut album, the band has managed to accomplish and pull off what some seasoned bands are still striving to achieve. 

Kississippi – Sunset Blush cover artwork
Kississippi – Sunset Blush — Alcopop! Records, 2018

Related news

Kississippi and Alex G members present Puppy Angst

Posted in Records on September 4, 2022

News outta Kississippi

Posted in Bands on October 8, 2020

Recently-posted album reviews

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more

Fuming Mouth

The Ringing Bell”
Triple B (2026)

There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more