After their introduction to the more mainstream world Make Your Mark a few years ago Living With Lions went through a few things. This  includes losing a bass player and vocalist and signing a deal with  Adeline. In the meantime the band regrouped and recorded a new album.  The big question is after losing members, especially a vocalist, how  does the band come back after such a loss? Well surprisingly the band  have embraced a more rock and roll influence. This is not to say that  they are now slinging guitar solos and screeching through songs. Instead  there is a higher attention paid to melodic parts and less time spent  on playing fast. 
The real issue one could take from the style of  the album is it is very much a mid tempo affair. While this is not  necessarily a bad thing it is rather different for a band that plays pop  punk generally speaking. While the songs do go by at a rapid clip even  when they pick up the tempo during "In Your Light" it drops back down  during the chorus. For as odd as this feels at first to anyone familiar  to the band, it actually helps to preserve the choruses and somehow help  to make them catchier. 
So another big question one could ask  revolves around the vocalist change. How does the new singer stack up?  Pretty well actually, Stu Ross of Lowtalker and Misery Signals has taken  over and his slightly gruff style of "singing' gives a forceful push to  the songs. At times reminiscent of Hot Water Music and then reverting  to a slightly more melodious tone. This lets the vocals become capable  of playing center stage without becoming monotonous entirely. 
The  rest of the instrumentation is played very well and recorded even more  perfectly. This certainly helps to highlight the more rock and roll  style the band seems to embracing overall. 
Generally speaking,  this would seem like an attempt at "maturity" if one were to disregard  the member changes since the last record. Keeping the member changes in  mind, this is the sound of a band getting back to their feet and finding  their direction. While this record is enjoyable and certainly a step in  a good direction it also does much to forfeit the bands past. This  leaves fans at a crossroads. Follow the band dowm their new path or call  thems sellouts or whatever moderately annoying or offensive title one  could gather. I would suggest following as the band shows that they can  write great hooks and catchy choruses without making their songs solely  about those parts.
 
         
            