Review
LMI
Excess Subconscious

HANDSTAND RECORDS (2020) Ian Vanek

LMI – Excess Subconscious cover artwork
LMI – Excess Subconscious — HANDSTAND RECORDS, 2020

Oh my god, where should I start with this one? Saying you’re something doesn’t make you that thing! Just because this band smokes weed does not make them the genre “stoner punk.” LMI process elements of hardcore, punk and stoner music. But not the parts I enjoy about those sounds. Their logo and various cover illustrations are the most honest and powerful part of this release. For that reason, I’m excited to see what this band is doing in five years. When their imaginary starts to match the sounds coming out of the speakers, LMI will become far more interesting.

The vocals are an abrasive after-thought. I have to keep turning it off to be able to think and write. Because the guitarist is seemingly uncomfortable singing and playing, the vocals are a layer that adds very little for me. The oil and water of it all makes the discord more evident. The potential to be interesting is present, but the early years of this trio are brimming with awkwardness.

Lansdale, PA sounds like a place where aggressive screeching music might make a ton of sense. They have a newer split record with a band from Wilkes Barre, PA. I tried listening to that one too. These guys are old enough to have grown their hair long but not old enough to know the value of down picking.

They are a metal band a kin to Celtic Frost or Sodom. More enthusiasm than talent. LMI have a confused sense of what scene they should be crafting the bands aesthetic after. They named themselves a vague punk sounding acronym (Lazy Middle-Class Intellectuals) but their art looks like Tool. I’m typically a fan of metal and enthusiasm but this record misses the mark. The vocals sound like they were sung by a fan of power violence hardcore. The drummer seems very competent and ironically metal. The bass guitar is a bit wild and on the edge of falling apart at all times. The union of these perfectly exciting genres is sadly unresolved.

LMI – Excess Subconscious cover artwork
LMI – Excess Subconscious — HANDSTAND RECORDS, 2020

Related news

Look at Exhibit A

Posted in Records on September 18, 2022

Advance Easy Prey

Posted in Records on August 14, 2022

Powerviolence War Babies full-length

Posted in Records on June 18, 2022

Recently-posted album reviews

The Crosses

Outlier
Rushmor Records, Spectragram Records, Triple Eye Industries (2026)

There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread that needle, delivering a debut EP that feels less like a revival … Read more

Sealer

Sealer
The Ghost Is Clear Records (2026)

Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their … Read more

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more