Review / 200 Words Or Less
Long Knife
Sewers of Babylon 7”

Beach Impediment (2017) Nathan G. O'Brien

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over whether they’re back or still here, but what’s not up for debate is that Portland’s second favorite antiheroes have dropped a damn fine slab o’ new wax upon the jean vest-wearing masses. It comes via the mostly-reliable Beach Impediment label, with a full-color cover courtesy of Dennis Dread, which is uniquely and perhaps incredibly both juvenile and fine art at the same time.

Keith Testerman has taken over drummer duties this time around. He, of WarcryLebenden Toten, and Hellshock, all which sound nothing like this. Still, there’s not much new here in terms of growth, but they’ve gotten a little creative. I mean, inasmuch as adding organ to a song can be considered creative. I normally would turn my nose up at this sort of thing, but it’s not as disruptive to the overall sound as it often is when bands think they’re being cool. It reminds me of The Dwarves (when they’re playing it straight anyway) or, you know, any previous Long Knife releases. Overall though, their sound is undeniably indebted to a certain other Portland band of heavyweights. But that ain’t a bad thing at all.

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Recently-posted album reviews

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

The Went Wrongs

This Isn't What I Ordered
Transcendental Revolution (2026)

I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more

Spillings

Spillings
The Garotte (2026)

Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more