Review / 200 Words Or Less
Long Knife
Sewers of Babylon 7”

Beach Impediment (2017) Nathan G. O'Brien

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over whether they’re back or still here, but what’s not up for debate is that Portland’s second favorite antiheroes have dropped a damn fine slab o’ new wax upon the jean vest-wearing masses. It comes via the mostly-reliable Beach Impediment label, with a full-color cover courtesy of Dennis Dread, which is uniquely and perhaps incredibly both juvenile and fine art at the same time.

Keith Testerman has taken over drummer duties this time around. He, of WarcryLebenden Toten, and Hellshock, all which sound nothing like this. Still, there’s not much new here in terms of growth, but they’ve gotten a little creative. I mean, inasmuch as adding organ to a song can be considered creative. I normally would turn my nose up at this sort of thing, but it’s not as disruptive to the overall sound as it often is when bands think they’re being cool. It reminds me of The Dwarves (when they’re playing it straight anyway) or, you know, any previous Long Knife releases. Overall though, their sound is undeniably indebted to a certain other Portland band of heavyweights. But that ain’t a bad thing at all.

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more