Review / 200 Words Or Less
Long Knife
Sewers of Babylon 7”

Beach Impediment (2017) Nathan G. O'Brien

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over whether they’re back or still here, but what’s not up for debate is that Portland’s second favorite antiheroes have dropped a damn fine slab o’ new wax upon the jean vest-wearing masses. It comes via the mostly-reliable Beach Impediment label, with a full-color cover courtesy of Dennis Dread, which is uniquely and perhaps incredibly both juvenile and fine art at the same time.

Keith Testerman has taken over drummer duties this time around. He, of WarcryLebenden Toten, and Hellshock, all which sound nothing like this. Still, there’s not much new here in terms of growth, but they’ve gotten a little creative. I mean, inasmuch as adding organ to a song can be considered creative. I normally would turn my nose up at this sort of thing, but it’s not as disruptive to the overall sound as it often is when bands think they’re being cool. It reminds me of The Dwarves (when they’re playing it straight anyway) or, you know, any previous Long Knife releases. Overall though, their sound is undeniably indebted to a certain other Portland band of heavyweights. But that ain’t a bad thing at all.

Long Knife – Sewers of Babylon 7” cover artwork
Long Knife – Sewers of Babylon 7” — Beach Impediment, 2017

Recently-posted album reviews

The Dwarves

Jenkem
Greedy, MVD (2026)

The Dwarves first cut me off on my path with their 1986 garage-rock debut, Horror Stories, on Voxx Records. Been a fan since. Over the forty years they've been around, some albums hit, some didn't connect as much. Their last main outing, Concept Album, bloated into a 26-song deluxe CD. Jenkem returns to familiar territory: 14 tracks screaming by in … Read more

David J

Tracks From the Attic Revisited
Independent Project Records (2026)

Sometimes musical circles take decades to close. Just ask Fleur De Lys and their catchy cover of The Who’s '60s freakbeat rarity, "Circles." For those of us digging through dusty crates at the margins of post-punk, a first introduction to mid-century mystic Eden Ahbez didn't come from a Nat King Cole hit. It came straight from the liner notes of … Read more

Physicalist

Self Titled
Dirt Cult (2026)

F.Y.P is one of the rare bands that I'd say nobody sounds like -- but in the past two months I've caught myself making that comparison twice. First while listening to the new Dumpies LP (spoiler alert: they cover F.Y.P on that same record) and now as I listen to the Physicalist debut EP. The interesting thing here isn't the … Read more