Review
Merzbow, Scott Miller & Lee Camfield
No Closure

Cold Spring (2013) Jon E.

Merzbow, Scott Miller & Lee Camfield – No Closure cover artwork
Merzbow, Scott Miller & Lee Camfield – No Closure — Cold Spring, 2013

Merzbow is noise music. While this may seem like an overstatement, Masami Akita is the forebear of the genre itself not to mention the most well known name in said genre. So i would have a hard time believing anyone involved in noise in even the most perfunctory way would pass up the opportunity to work on a project with him. 

So i assume when former Sutekh Hexen members Scott Miller and Lee Camfield received that call they couldn't help but say yes. While Merzbow is not new to collaborations or trying different things this is something different. While Merzbow lays a bed of sound that makes for the more recognizable aspect of the recording Miller and Camfield regularly act as a melodic foil of sorts adding a more organic side to the recordings.

This gives the listener a nice point - counterpoint feel for most of the record allowing for both the harsh cold of Merzbow and a more humane and familiar feel on the other side.

this is something different to most but if you are interested or already a merzbow fan you could do much worse than make this your entry point.

7.9 / 10Jon E. • May 26, 2014

Merzbow, Scott Miller & Lee Camfield – No Closure cover artwork
Merzbow, Scott Miller & Lee Camfield – No Closure — Cold Spring, 2013

Recently-posted album reviews

Bitter Branches

Let's Give The Land Back To The Animals
Equal Vision (2026)

Sometimes when you think of a town you think of a certain sound. Philadelphia is not one of those cities for me, as the bands I know from the area vary a lot in style. Yes, there is the Dan Yemin tree (Lifetime / Kid Dynamite / Paint It Black) but there are also poppy bands and emo bands and … Read more

Top Jimmy & The Rhythm Pigs

Pigus Drunkus Maximus (Reissue)
Blind Owl Records (2026)

If rock ’n’ roll ever had a smoky, beer-soaked, throbbing heartbeat, it lives in Top Jimmy & The Rhythm Pigs’ Pigus Drunkus Maximus. Recorded in 1981 but not released until 1987 on Restless Records, the album always felt like a document out of time — lightning caught like fireflies in clumsy hands, then bottled too long. This newly remastered reissue, … Read more

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more