Review
Oceans
Nothing Collapses

Copper Lung (2009) Michael

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs.

Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock that leans towards the more playful tones as opposed to down-tempo style the genre often sees. The group makes use of the guitar techniques you've come to expect from pros of the genre - Explosions in the Sky, etc. Where the band helps to distinguish themselves is with the faint influences of the mid-90's Midwestern emo scene in their sound.

"We are Ruins" follows and it features a slightly more aggressive direction with movements of heavier riffing interspersed with their standard guitar noodling. "Ways with Wolves" boasts some interesting guitar and rhythm interplay that brings to mind Minus the Bear. "Boy Detective" interjects more of this guitar work in its structure as well. This song also features some vocal parts, which is a bit odd for a band of this genre. They caught me a little off guard but worked, especially when backed with the more actionated music at the end of the song.

It's here that we hit a lull. The next three tracks just kind of passed me by, not leaving a mark on my memory. "Traps and Traps" saves the record from being ejected with an outstanding second half. Closer "Your Plane Leaves Tomorrow" closes at an epically long ten minutes. Thankfully, it is Ocean's best constructed piece of music, so you get to enjoy every second. I found myself restarting the final four minutes over and over as they were especially noteworthy with the inclusion of the violin, something I hope they experiment with more in the future.

Nothing Collapses is a good start for the group; there is a lot of promise in what they're doing. I enjoyed the relaxing mood of the album but also found myself losing attention with the action as I listened. I think with a bit more time together the songwriting will get better and more intense, resulting in a more advanced end product.

6.0 / 10Michael • July 2, 2009

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Related features

From Oceans to Autumn

One Question Interviews • February 16, 2014

Related news

Bright Eyes and the Kids Table

Posted in Records on August 28, 2025

Bright Eyes and The Poison Oak Project

Posted in Bands on March 3, 2025

Scowl kicks off Are We All Angels

Posted in Records on January 23, 2025

Recently-posted album reviews

Jungle Rot

Cruel Face Of War
Unique Leader (2026)

Twelve albums and more than three decades into their career, Jungle Rot remains one of death metal's most reliable institutions. While countless bands have spent years chasing technical excess, progressive experimentation, or whatever trend happens to be dominating the underground now, the Kenosha veterans have remained committed to a simpler mission. Writing memorable riffs, locking into crushing grooves, and leaving … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more

Fangus

Emerald Dream
From The Urn Records (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more