Review
Oceans
Nothing Collapses

Copper Lung (2009) Michael

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs.

Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock that leans towards the more playful tones as opposed to down-tempo style the genre often sees. The group makes use of the guitar techniques you've come to expect from pros of the genre - Explosions in the Sky, etc. Where the band helps to distinguish themselves is with the faint influences of the mid-90's Midwestern emo scene in their sound.

"We are Ruins" follows and it features a slightly more aggressive direction with movements of heavier riffing interspersed with their standard guitar noodling. "Ways with Wolves" boasts some interesting guitar and rhythm interplay that brings to mind Minus the Bear. "Boy Detective" interjects more of this guitar work in its structure as well. This song also features some vocal parts, which is a bit odd for a band of this genre. They caught me a little off guard but worked, especially when backed with the more actionated music at the end of the song.

It's here that we hit a lull. The next three tracks just kind of passed me by, not leaving a mark on my memory. "Traps and Traps" saves the record from being ejected with an outstanding second half. Closer "Your Plane Leaves Tomorrow" closes at an epically long ten minutes. Thankfully, it is Ocean's best constructed piece of music, so you get to enjoy every second. I found myself restarting the final four minutes over and over as they were especially noteworthy with the inclusion of the violin, something I hope they experiment with more in the future.

Nothing Collapses is a good start for the group; there is a lot of promise in what they're doing. I enjoyed the relaxing mood of the album but also found myself losing attention with the action as I listened. I think with a bit more time together the songwriting will get better and more intense, resulting in a more advanced end product.

6.0 / 10Michael • July 2, 2009

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Related features

From Oceans to Autumn

One Question Interviews • February 16, 2014

Related news

Bright Eyes and The Poison Oak Project

Posted in Bands on March 3, 2025

Scowl kicks off Are We All Angels

Posted in Records on January 23, 2025

Scowl's Dead Oceans "Special"

Posted in Labels on October 9, 2024

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more