Review
Oede
One Man's Trash

Holy Terror (2012) Jon E.

Oede – One Man's Trash cover artwork
Oede – One Man's Trash — Holy Terror, 2012

It may be safe to say that since the Holy Terror Record label has been revived they have managed to get on quite a roll. The records they have released have all managed to be a bit different while still carrying a certain aesthetic darkness. With label mates such as Sutekh Hexen and Cape of Bats gaining more and more attention Oede manages to be the new kid on the block so to speak. The fact is even though all three of these projects are their own thing Oede may be more it's own thing than most anything out there right now.

The one man project blends grim lo-fi black metal and the very distinct sound of voodoo blues. While both of these styles manage to share certain ideas they rarely share space on the same piece of vinyl. This project manages to show how close they are even on a musical level.
The darkness rarely subsides as the EP works within it's own dark pallor. The truly beautiful thing about this is there doesn't seem to be any sort of real misstep. The songs feel natural the whole way through. The use of homemade cigar box guitars helps to make the sound more singular and eerie.

The record is a great introduction to a singular mind playing something very singular in music. It would almost be impossible to think of a musical project that truly encapsulates these two styles, let alone this well. The record is something that is well worth buying. One can only imagine what Oede could do within the context of a full length record but you can bet it that if it follows suit with this EP it will be it's own creature entirely.

8.0 / 10Jon E. • July 17, 2012

Oede – One Man's Trash cover artwork
Oede – One Man's Trash — Holy Terror, 2012

Related news

De Mannen Broeders announcement

Posted in Bands on August 15, 2024

Recently-posted album reviews

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Dead Boys

Night Of The Living Dead Dolls
Cleopatra (2025)

Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and … Read more

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more