Review
Oede
One Man's Trash

Holy Terror (2012) Jon E.

Oede – One Man's Trash cover artwork
Oede – One Man's Trash — Holy Terror, 2012

It may be safe to say that since the Holy Terror Record label has been revived they have managed to get on quite a roll. The records they have released have all managed to be a bit different while still carrying a certain aesthetic darkness. With label mates such as Sutekh Hexen and Cape of Bats gaining more and more attention Oede manages to be the new kid on the block so to speak. The fact is even though all three of these projects are their own thing Oede may be more it's own thing than most anything out there right now.

The one man project blends grim lo-fi black metal and the very distinct sound of voodoo blues. While both of these styles manage to share certain ideas they rarely share space on the same piece of vinyl. This project manages to show how close they are even on a musical level.
The darkness rarely subsides as the EP works within it's own dark pallor. The truly beautiful thing about this is there doesn't seem to be any sort of real misstep. The songs feel natural the whole way through. The use of homemade cigar box guitars helps to make the sound more singular and eerie.

The record is a great introduction to a singular mind playing something very singular in music. It would almost be impossible to think of a musical project that truly encapsulates these two styles, let alone this well. The record is something that is well worth buying. One can only imagine what Oede could do within the context of a full length record but you can bet it that if it follows suit with this EP it will be it's own creature entirely.

8.0 / 10Jon E. • July 17, 2012

Oede – One Man's Trash cover artwork
Oede – One Man's Trash — Holy Terror, 2012

Related news

De Mannen Broeders announcement

Posted in Bands on August 15, 2024

Recently-posted album reviews

Prayer Group

Strawberry
Reptilian Records (2025)

Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 debut full-length, Michael Dose, where The Jesus Lizard methodology collided … Read more

The Goslings

Plexuses, Planes
Independent (2025)

For experimental rock artists torn between noise-rock abrasion and torturous drone immersion, one side usually wins. It is either a certain sentimental and ethereal quality or an oppressive noise dimension that prevails. But there are some acts that can balance between these worlds. Names like The Angelic Process, and of course Low exemplify this strange balance in different ways. A … Read more

Bee Bee Sea

Stanzini Can Be Allright
Wild Honey Records (2025)

I believe the first I heard of this album was when Wild Honey released the limited edition It’s All About The Music concept 7” EP back in July. Exclusively released for the Punk Rock Raduno festival, IAATM is a three song 7” but only sort of? The concept: one garage-rock anthem, three versions- one is slowed down, one is regular … Read more