Review
Padkarosda
Szabadulásom Művészete

Wake Up And Live (2014) Nathan G. O'Brien

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second full-length release. Recorded in Budapest in June of 2013, Oakland, CA-based Wake Up And Live Records picked it up for US release this year. It comes on cassette with a pro-printed foldout J-card, complete with song lyrics, band photo, and artwork. It’s really nice looking package, all done in various shades of purple, which really adds to the aura of the music contained therein.

According to various descriptions Padkarosda play a style of punk that draws heavily on the influence of ‘80s Hungarian bands. I’ll admit I don’t have any real familiarity with Hungarian punk bands past or present other than this tape, so I don’t have much in the way of comparisons to offer. While there are discernible bits and pieces of other international hardcore styles at play, it’s also unlike anything I’ve heard recently. It’s like a more gothic take on Finland’s Riistetyt crossed with a less raw-sounding GLAM. In fact, much in the same way the latter-mentioned Barcelona band did on their Veveno En Sus Flechas LP, Padkarosda uses vocal effects and dissonant guitars to push the sound beyond the confines of simple genre tags like 'raw punk' or 'hardcore.' It reminds me of the weirder stuff on the discographia version of '80s Italian band Stiny Rats' Vergognati LP.

For a cassette, the recording is really good. It's not the 'demo quality' style that has come into vogue as of late, but rather the type of sound you'd expect back before CDs, when vinyl records and tapes were the the only option.The bass is distorted and subbed to death, which I love, while the drumming is both frantic and on point. But it's the uniquely atmospheric guitar effects at play here that standout as the band’s defining sound. “Az Ártatlan” (translated as “The Innocent”,) the rager that closes out side A, and “Az Őrző” (“The Keeper”,) which begins side B are perfect examples. And they really bring their distinctive sound into new territory with a moody post-punk album closer “Csendent” (“Silence.”)

Szabadulásom Művészete is is beyond good. If you appreciate genre-challenging punk, obscure bands, and archaic formats (and really, what self-respecting punk doesn't,) do yourself a favor and track this one down.

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Recently-posted album reviews

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more

La Luz

Extra! Extra!
Sub Pop (2026)

Formed in 2012, La Luz built their reputation on hypnotic surf-noir, eerie harmonies, and a uniquely supernatural warmth that made them one of Sub Pop’s most consistently compelling bands. Their 2024 full-length News of the Universe marked a major artistic shift. The sound became lush, cosmic, dust-covered, and produced by Maryam Qudus, whose work helped push the band into its … Read more

Dead Boys

Night Of The Living Dead Dolls
Cleopatra (2025)

Dead Boys, or should I say Dead Dolls (no, not those creepy little Dolls that were mass produced for wannabe Wednesdays). Johnny Blitz had just been stabbed on the streets of New York. A benefit was created to raise funds to help the fallen comrade, known as the Blitz benefit. Look it up, plebeians. Anyways cue in snot, attitude and … Read more