Review
Parasitic Skies
The Descent

Seventh Dagger (2010) Jon E.

Parasitic Skies – The Descent cover artwork
Parasitic Skies – The Descent — Seventh Dagger, 2010

Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or for the slightly more adventurous Heaven Shall Burn. Either way, you're running the risk of monotony and probably jokes at your expense from those too cool. While I say this, there was a time in the 90's that metalcore was new and a more dangerous Slayer loving cousin to hardcore itself. Parasitic Skies hearken back to that kind of metalcore. There is a viciousness and danger to what they play that doesn't sit with the listener in the way metalcore seems to otherwise.

What you get from this Parasitic Skies on their first full-length is short sharp blasts of metal worshipping hardcore. The great part is it's not just the usual Slayer worship (not that Slayer is bad either) but many different types of metal. There's the divebombs employed by most metal guitarists along with the brutality of death metal and the vocals of black metal. The rage is palpable from the speedy but on point drumming to the way the guitarist is able to break through the mix shift tempos and not get everything else lost.

There are only a few complaints about this disc. Clearly the vocals are a selling point as they are different from almost any major hardcore band I can think of. They are strong but not overpowering and gruff without touching the cartoonish cookie monster growls. The unfortunate part of this is there are about half the songs in which the vocals get buried in the mix. This makes the vocals act as another instrument rather than the leader. The other complaint resides in the fact that this album is really short, clocking in at under a half an hour with nine songs (three of which are instrumentals). The instrumentals are very good and carry the darkened mood of the record very well. I feel as though this could be a much stronger record had there been a few more songs to keep things going.

The last thing I'll mention is the artwork. It is black, mostly, which fits everything about this album perfectly. This looks more like a death metal album that was put together independently rather than most hardcore albums I can think of. Everything sits in its proper place. The complaint could be from the lack of expanding on the ideas of the front and back cover and putting more artwork on the inside of the package. Overall this is a very strong argument for a rebirth of metalcore residing outside the Hatebreeds of the world. This disc is definitely worth having from a band that is more than worthy of your money and support.

8.7 / 10Jon E. • July 13, 2010

Parasitic Skies – The Descent cover artwork
Parasitic Skies – The Descent — Seventh Dagger, 2010

Recently-posted album reviews

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more