Review
Parasitic Skies
The Descent

Seventh Dagger (2010) Jon E.

Parasitic Skies – The Descent cover artwork
Parasitic Skies – The Descent — Seventh Dagger, 2010

Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or for the slightly more adventurous Heaven Shall Burn. Either way, you're running the risk of monotony and probably jokes at your expense from those too cool. While I say this, there was a time in the 90's that metalcore was new and a more dangerous Slayer loving cousin to hardcore itself. Parasitic Skies hearken back to that kind of metalcore. There is a viciousness and danger to what they play that doesn't sit with the listener in the way metalcore seems to otherwise.

What you get from this Parasitic Skies on their first full-length is short sharp blasts of metal worshipping hardcore. The great part is it's not just the usual Slayer worship (not that Slayer is bad either) but many different types of metal. There's the divebombs employed by most metal guitarists along with the brutality of death metal and the vocals of black metal. The rage is palpable from the speedy but on point drumming to the way the guitarist is able to break through the mix shift tempos and not get everything else lost.

There are only a few complaints about this disc. Clearly the vocals are a selling point as they are different from almost any major hardcore band I can think of. They are strong but not overpowering and gruff without touching the cartoonish cookie monster growls. The unfortunate part of this is there are about half the songs in which the vocals get buried in the mix. This makes the vocals act as another instrument rather than the leader. The other complaint resides in the fact that this album is really short, clocking in at under a half an hour with nine songs (three of which are instrumentals). The instrumentals are very good and carry the darkened mood of the record very well. I feel as though this could be a much stronger record had there been a few more songs to keep things going.

The last thing I'll mention is the artwork. It is black, mostly, which fits everything about this album perfectly. This looks more like a death metal album that was put together independently rather than most hardcore albums I can think of. Everything sits in its proper place. The complaint could be from the lack of expanding on the ideas of the front and back cover and putting more artwork on the inside of the package. Overall this is a very strong argument for a rebirth of metalcore residing outside the Hatebreeds of the world. This disc is definitely worth having from a band that is more than worthy of your money and support.

8.7 / 10Jon E. • July 13, 2010

Parasitic Skies – The Descent cover artwork
Parasitic Skies – The Descent — Seventh Dagger, 2010

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more