Review
Prideswallower
Lifeswallower

Auxiliary (2007) Scottie

Prideswallower – Lifeswallower cover artwork
Prideswallower – Lifeswallower — Auxiliary, 2007

Anyone educated in the Louisville family tree of hardcore punk bands - Coliseum, Breather Resist, Young Widows, Black Cross, etc

- already knows what to expect from Prideswallower, the latest Kentucky export. But for the unfamiliar, allow me to explain:

While each band has a sound unique enough to stand on its own, there is a unifying thread to all. Well, two actually. First you can bet that one of the Patterson brothers took some role in the production of the band's release. More important, you can hear a dirty, garage rock-n-roll influence in each band's sound. They give just as much of a nod to Motörhead as they do to Black Flag.

While Black Cross are more punk, Coliseum more crust, and Breather Resist more metal, Prideswallower keep it straight forward, turning their amps up to eleven to kick out the jams no frills. If they were assigned a subgenre, grunge would be the most fitting, but imagine a sound closer to The Melvins than Nirvana or Soundgarden.

On their debut EP Prideswallower produces a noisy, distorted rock that attacks the ears without letting down. Even during the instrumental breaks, the speakers are awash in feedback. The raw sound of peaked out guitars and crashing cymbals is enough to make anyone drop their jaw and say, "HOLY FUCK!" This is the type of band that should be played at loud volumes exclusively.

Their sound is massive while using both minimal instrumentation and production. The liner notes confirm this, saying the EP was recorded with no more than a four track and a laptop, meaning Prideswallower comes to shred.

While the album may seem monotonous, it's only because the band is unrelenting in its mission to cave your skull in with overdriven riffs and a solid rhythm section.

8.0 / 10Scottie • November 20, 2007

Prideswallower – Lifeswallower cover artwork
Prideswallower – Lifeswallower — Auxiliary, 2007

Recently-posted album reviews

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more

Sludgeworth

Second Time Around
Red Scare Industries (2026)

I never got very into Screeching Weasel and the extended family tree. Ignoring the politics of the matter, the music never really hit that sweet spot for me either. But Sludgeworth were an exception. The band released just one album, that I discovered at least 10years after its release, but seemingly disappeared -- only to resurface after a 2022 reissue … Read more

Social Distortion

Born to Kill
Epitaph (2026)

Rating: 🍸🍸🍸🍸🍸🍸🍸🍸🚬 / 10 (8 Tipped Martini Glasses and a Cigarette) Remember that movie Fantastic Voyage, where a miniaturized submarine gets inserted into a person's bloodstream on a mission to clear a blood clot in the brain? Well, consider yourself in luck: I’m infiltrating your brain with my own fantastic journey with Social Distortion, which goes all the way back … Read more