Review / 200 Words Or Less
Rampage
Limit of Destruction

Lockin’ Out (2007) Michael

Rampage – Limit of Destruction cover artwork
Rampage – Limit of Destruction — Lockin’ Out, 2007

Boston-based hardcore outfit Rampage unleash thirteen tracks of thrash influenced hardcore on Limit of Destruction. Some of the cuts here take on a definite New York hardcore vibe, while others incorporate a more tharshy and early crossover sound of D.R.I. The title-track was definitely my favorite song on this 12", it had a good groove and nice 90's styled breakdown.

Lyrically, vocalist Josh Perrault is very upfront and oftentimes can come across as offensive. But if you read the liner notes, you'll find an interesting tidbit, "Some people, including band members, don't like certain words in our songs. Rampage is not prejudice against any group." So from that you can deduce that Perrault just likes to tell it like it is, which you can take at face value.

Limit of Destruction is a pretty good spin. The album is available from Lockin' Out, so if you're at all interested in this, you best jump on it now before the limited colored vinyl has all been swooped up and only available on eBay for ridiculous amounts.

6.5 / 10Michael • September 26, 2007

Rampage – Limit of Destruction cover artwork
Rampage – Limit of Destruction — Lockin’ Out, 2007

Recently-posted album reviews

Pallette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more