Review
Renee Heartfelt
Death of the Ghost

Textbook Music (2005) Michael

Renee Heartfelt – Death of the Ghost cover artwork
Renee Heartfelt – Death of the Ghost — Textbook Music, 2005

I often wonder how musicians reach the point in their lives where they want to make a change in their musical endeavors. Perhaps they no longer find the frantic and chaotic world of hardcore/punk interesting. Maybe they have been screaming and breaking shit on stage for so long that they no longer know what they're angry about. For whatever reasons they may be, some musicians choose to leave behind that world and venture down different and more docile musical paths. In the case of Renee Heartfelt, the members have left behind their previous ventures for the world of space-rock and post-hardcore.

Following a brief intro track, Death of the Ghost hits with the back-to-back songs "Gratitude, (For)" and "(Is Forever)." These song makes use of thick but not overbearing basslines, both crisp riffs and interweaving guitar melodies, and driving drums in a sound that is reminiscent of Failure's Magnified and Handsome. Peter Appleby's dulcet vocals further add to the already dynamic and layered music.

As the album unfolds we are treated to some truly excellent songs that further delve into the world of melodic rock; "Misanthropes," "Control," and "Hollow" are among the best and bring to mind Samiam. Some of the others had the potential to join their ranks, though they seemed to end rather abruptly with fade-outs, almost as if the band couldn't figure how to finish them.

Renee Heartfelt demonstrates their diversity on the track "Slow Down" as the majority of the song is striped down to an acoustic guitar, a piano, and Appleby's tender harmonies - though the song does return to typical form as it closes out in rock fashion. "Rush" also makes use of an acoustic guitar, though it is extremely brief at the beginning and end of the song. That is one aspect of Renee Heartfelt's sound that I'd like to see them expand upon in the future.

If you're one of those types that mainly listens to heavier music but are beginning to get bored, I suggest you check out Renee Heartfelt as well as the bands that have a direct influence on them. And if you're already a fan of bands like Quicksand and Jawbox (or any of the above bands) but were previously unaware of Renee Heartfelt existence, I hope you pick up Death of the Ghost as well as their previous EP.

8.0 / 10Michael • December 27, 2005

Renee Heartfelt – Death of the Ghost cover artwork
Renee Heartfelt – Death of the Ghost — Textbook Music, 2005

Related news

Renee Heartfelt, the complete discography

Posted in Records on November 1, 2020

Renee Heartfelt Preparing Tour

Posted in Tours on September 20, 2005

Renee Heartfelt Video

Posted in Bands on August 18, 2005

Recently-posted album reviews

Burned Up Bled Dry

Next Stop… Dead Stop…
Prank (2026)

There’s no easing into Next Stop… Dead Stop… No buildup, no warning just impact. Fayetteville, Arkansas’ Burned Up Bled Dry return from decades of dormancy with a debut full-length that feels less like a comeback and more like a long-awaited detonation. Formed in 1996 and tied to that gnarlier mid-south hardcore lineage alongside bands like His Hero Is Gone and … Read more

Blue Ash

Dinner At Mr. Billy’s
Peppermint Records (2026)

Most people treat the Blue Ash story like a collection of "almosts" and they are sure missing the point.Almost famous, almost signed, almost the American Beatles. Forget that, erase that fable from your feeble grey matter. Dinner at Mr. Billy’s—straight from the Peppermint Productions vaults—proves they weren't just "lost" contenders. They were the engine room of the Rust Belt. While … Read more

Luxury Teeth

DCxPC Live & Dead, Vol. 3
DCxPC Live (2024)

There’s something inherently appealing about a record that doesn’t try to hide what a band actually sounds like. DCxPC Live & Dead, Vol. 3 captures Luxury Teeth in two very different settings and more importantly, shows that neither version feels like a compromise. Side A, the “Live” portion, was recorded at the Ottobar in Baltimore while opening for GBH, and … Read more