Review / 200 Words Or Less
Replica
Beast

Prank (2014) Nathan G. O'Brien

Replica – Beast cover artwork
Replica – Beast — Prank, 2014

Beast is the latest 7” vinyl release from Oakland’s hardcore punk band Replica. It's the first I’ve heard of them since their 2012 demo cassette, which I was big fan of. Likewise I’ve been spinning this one pretty regularly since it arrived this past summer via Prank Records. Replica were just here in Minneapolis earlier this fall (10/4) for Extreme Noise Record’s 30th anniversary bash but sadly I was unable to attend. By all accounts they tore it up.

The first thing that’s noticeable is how much they’ve cleaned up their sound. Of course it could be a result of better production but their sonic blitzkrieg seems to be a little more streamlined than I remember. “Imagine Sisyphus” repeats a drum part that’s reminiscent of The Descendents’ “I’m The One.” This took me totally by surprise because it seems a little out of place but I like it nonetheless. It’s totally unfair to leave that as the only frame of reference, as Replica is more in line with DIY-minded patch vest hardcore than they are pop-punk. For instance, both the title track and the closer “Sandy Bottoms” recall the thrash punk revival of the early ‘00s.

Take menacing bass lines; mash them against blast beat-y drums (the kind that predate grindcore) and mean-sounding guitars; top it all off with Dharma Moony’s pissed-off snot-tinged vocals, and you’re left with this erratic little monster called Beast. The whole thing runs just over seven minutes, which averages out to a minute a song. What’s not to love?

Replica – Beast cover artwork
Replica – Beast — Prank, 2014

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more