Review
Resplendent
Am I Free? I Am Free

Mixx Tape (2005) Scott

Resplendent – Am I Free? I Am Free cover artwork
Resplendent – Am I Free? I Am Free — Mixx Tape, 2005

You might not have heard of Michael Lenzi, aka Resplendent, but if you have, you're probably wondering how a guy like this can go so unnoticed. He's that favorite actor or actress you fall in love with at first sight, but in this case, first listen. If you've missed out on the last three records, be here for what might be his last: Am I Free? I Am Free. Resplendent is Lenzi's solo work post-Number One Cup and The Fire Show. He is accompanied by friend and former Number One Cup bandmate Pat O'Conell, who plays guitar and contributes backup vocals.

For me, this record was very intriguing right away; it's really good music and it only takes a couple listens to realize that. It just stops you from what your doing and you tune in. I've turned many of my friends' heads with this record, and it's great for setting a mellow tone for the room you're in. You'll want to keep the music to yourself because it's very connecting, but it shouts to be heard, and you can't help but share what you've come across.

His previous EP's are really good, and I find myself listening to them quite a bit, but this will have almost an awe effect on you. It leads more in a straight line; its consistency adds to the attraction. It's comprised of pop melodies that are seemingly simplistic, but Lenzi also throws in his skill and knowledge of sampling, recording techniques, and song composition. He shows you that he's dreamt up something that's quite different and innovative from what you're used to hearing. Lenzi is not your standard indie-pop artist; he's more like a poet that uses his voice to push the music. He's got the vocal styling of Chris Conley (Saves the Day) but it's not as whimperish. And his lyrics actually show art, depth, thought, and sincerity. The second half is better than the first, and the first half is just as good. He even does a great cover of Rites of Spring's "Drink Deep," making the song completely his own. There's not one filler track on either side of this record.

I'm not sure why Lenzi goes without much recognition, but he shouldn't'. He's truly talented and it shows throughout his catalog of past and present projects. He's grinded it out for ten plus years and this record seems to touch base with that; a few songs show some self-doubt about making music. "A Tourist No More" hints at him calling it quits: "I won't lace another phrase with the beautyness in sorrow, I won't waste another day." The record ends with "Hope," an instrumental of different chops, pops of sounds and effects, and some thick heavy drumming.

Resplendent's works are inspiring; he continues to push experimentation to the brink and has stumbled upon some great results. Am I Free? I Am Free was my favorite album last year, and has become one of my favorite albums of the last five years. I'm just glad I finally got around to reviewing it.

9.0 / 10Scott • April 6, 2006

Resplendent – Am I Free? I Am Free cover artwork
Resplendent – Am I Free? I Am Free — Mixx Tape, 2005

Recently-posted album reviews

Pallette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more