Review / 200 Words Or Less
The Rutabega
Shiny Destination

Triple Eye Industries (2015) Andy Armageddon

The Rutabega – Shiny Destination cover artwork
The Rutabega – Shiny Destination — Triple Eye Industries, 2015

After a 2013 full length album that marked the band’s first full-length as a self-described “Carp Rock Power Duo,” a title which I can in no way explain yet love nonetheless, South Bend, Indiana’s The Rutabega is back with Shiny Destination, a 7” vinyl release that presents two very different sides of the group’s sound. With its playfully chaotic feel, rough-around-the-edges vocal, and bouncy, toe-tapping surf rock construction, the title track reminds me of something that might have come from The Unicorns, a notion only reinforced by quirky lyrical content. Energetic and catchy, it’s a breezy piece that’s nearly impossible to dislike, joined by a b-side in “Ladder” that, with its laid back tempo and more emotional punch, resembles an ‘80s soft rock ballad. Personally, I think this is the perfect complimentary number, even if it’s a definite comedown from the sugar high that kicks off the disc. Barely over five minutes in length, Shiny Destination is very (too?) brief. Nevertheless, it made a strong impression on me and is well worth a listen.

The Rutabega – Shiny Destination cover artwork
The Rutabega – Shiny Destination — Triple Eye Industries, 2015

Recently-posted album reviews

Fangus

Emerald Dream
From the Urn (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more

Overcalc

Fruits of the Decision Tree
Sleeping Giant Glossolalia (2024)

Some instrumental records create atmosphere while others create movement. Fruits of the Decision Tree feels like it creates an entire environment. It’s unstable, mechanical, strangely beautiful, and constantly in motion. The solo project of Nick Skrobisz (Multicult, The Wayward), Overcalc exists somewhere between electronic experimentation, prog-level guitar precision, ambient drift, and full on sci-fi hallucination. Trying to pin it cleanly … Read more

Fangus

Emerald Dream
From The Urn Records (2026)

The needle drops, and there’s no introductory sweaty handshake. Fangus doesn’t care for niceties; they’re ready to get down to brass-knuckle business. With their debut full-length, Emerald Dream, the Montreal quintet has exhumed a sound that feels less like a tribute to the early '70s and more like a master tape found rotting in a damp basement behind a stack … Read more