Review
Samamidon
All is Well

Bedroom Community (2008) Campbell

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Whether or not a band is unknown is pretty subjective. While I was at the Portraits of Past reunion show in Berkeley recently, many passers-by and uninformed parents continued to ask who was playing. They saw the line of 500-plus kids and couldn't believe that this line was for a band they had never heard of. In this case, sometimes spectators are just out of the loop, which could make any number of bands unknown to them. A similar thing happened this first time I listened to this record, All Is Well.

Samamidon is Sam Amidon, a folk singer from Vermont. This is his second full-length release, and I feel foolish for not noticing until now. Sam's sound seems pretty minimal, but he brings a great sense of melody and rhythm to the table, and a dash of various instruments throughout the album to keep things interesting. It seems obvious how much time was taken to write each song, making sure every note and string of vocals is placed just right.

The album begins with "Sugar Baby," a slow acoustic track that's both increasingly pleasing as well as saddening. The song follows a single pattern throughout, but never gets old on your ears. Sam's vocals remind me a lot of The Dismemberment Plan, despite the differences in their music styles overall. The next track, "Little Johnny Brown," sounds a lot more traditional at first, but brings in a few horns, a piano, and even a set of strings that really bring out the harmony. The end of the song reminds me a bit of a more experimental Iron & Wine, with an odd percussion instrument helping to build up the crescendo towards the end of the track.

All Is Well keeps a consistent style of keeping you on your toes. From the sparse ballad of "Wild Bill Jones" to the upbeat banjo of "Fall On My Knees," Samamidon really seems to have put a lot of effort into making this album unique. Every song seems to have the same goal to help paint a canvas that is the album as a whole. While each track stands on its own, what's more important is how each track plays a role in crafting a piece of work that exercises every facet of this man's talent.

Samamidon seems to be doing something right. His abilities are undeniable, and I hope to see much more of him in the future. At an even ten songs, All Is Well works all of its magic and doesn't leave anything flawed or lacking. I'm rarely this impressed on a group that's new to me, but this one definitely did it for me.

8.5 / 10Campbell • August 12, 2008

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Recently-posted album reviews

Between the Buried and Me

The Blue Nowhere
Inside Out (2025)

Between The Buried And Me are seasoned vets to the progressive metalcore, electronic, prog (whatever other genre they bend) scene and continue to drop album after album. Their career started back in 2000 from the ashes of one of the greatest metalcore bands of all time (in my humble opinion), Prayer For Cleansing. As the band has progressed over the … Read more

The Beths

Straight Line Was A Lie
Anti (2025)

Dear Beths, Congratulations on the new release. I’ve been reflecting on our relationship and, as I’ve recently started to write about music again, have been asked to share my thoughts with you. First and foremost, I want to say that this isn’t easy for me. I cherish your album Future Me Hates Me from 2018. The title track alone is … Read more

East End Redemption

Crashing Down
Independent (2025)

Who would’ve thought that from the land of lobsters and blueberries, you’d find a punk band? East End Redemption is a four-piece band that brings their flavor of punk from Portland, Maine to the masses with their eleven song, debut full-length album, Crashing Down. They mix elements of skate punk, power pop, and even hints of hardcore punk. The band … Read more