Review
Sentenced
The Funeral Album

Century Media (2005) Kristin

Sentenced – The Funeral Album cover artwork
Sentenced – The Funeral Album — Century Media, 2005

Legend, and probably some interview posted somewhere on the internet, has it that halfway through recording The Funeral Album the members of Sentenced decided it would be their final project together. I suppose there's the potential for criticism in giving this album a stellar rating. Such a move might smack of the silver medals awarded to aging figure skaters because they won't be around next time to compete anyway, or of the "consolation" Oscar given to actors years after their best performances have been overlooked. After all, Sentenced's majestic previous album, The Cold White Light, is a tough act to follow.

But make no bones about it, The Funeral Album is a thing of beauty - eminently listenable from start to finish. There's much to be enjoyed about this album while plumbing its dark and periodically schlocky depths (a sample lyric from the song "Ever-Frost" - "Jesus Saves? We will piss upon your graves!"), and much to be respected in the band's choice to quit at a consistent, high-quality plateau established with their previous albums. Touching on themes of war, despondency, and death with equal parts aggression and tender conviction, The Funeral Album is, quite simply, a truly engaging slab of skillfully executed melodic metal.

It's gloriously free of the meaningless, flashy technical show-off elements inserted purely for their own sake that one often finds on metal records. Each musical passage works together with the others for the good of each song, and the result is that every possible element is harnessed to produce some of the finest tracks of Sentenced's varied career. Ville Laihiala's full-bodied voice is rich and varied throughout the record, working with and against the guitar work of Mikka Tenkula and Sami Lopakka. Each instrument is crystal clear in every song and is showcased to its fullest effect; the production is slick as a whistle.

The real strength of Sentenced's songs are their choruses. The vast majority of the album's thirteen tracks are fantastically catchy and compelling, which is pretty amazing given the aggressive and despondent lyrics. Okay, so I personally have issues with the unexpected harmonica in "Despair-Ridden Hearts", but the song itself is epic. The brief instrumental track, "Where Waters Fall Frozen," hearkens back to the band's death-metal past; a nod to their origins. Truly standout tracks include the war-themed "May Today Become the Day" and "Lower the Flag", and the mournful "We are but Falling Leaves", "Her Last 5 Minutes", and "Karu." Overall, it's an exceptionally clean album; neat as a pin.

It's easy enough to say this looking back on the final product in its entirety, but everything seems to fall into place on The Funeral Album to create a fitting, noble exit. Sentenced have proven that they could sustain a very high level of musicianship and production, and go out on a high-note with dignity. The concept meshes purposefully with this last project of the Finnish Kings of "suicide metal." Brutal in its way, perhaps, to cut something down in its prime, but what can you do? Sentenced knows that sometimes there just might be a case to be made for choosing your own way out, and leaving a pretty corpse.

8.9 / 10Kristin • December 17, 2005

Sentenced – The Funeral Album cover artwork
Sentenced – The Funeral Album — Century Media, 2005

Related news

Phil Spector Sentenced Nineteen Years To Life

Posted in Music News on May 29, 2009

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more