Review
The Silks
Last American Band

Independent (2013) Scott Wilkinson

The Silks – Last American Band cover artwork
The Silks – Last American Band — Independent, 2013

When I first caught The Silks playing in a friends living room I was amazed at the raw energy these guys bring to a live show and as we have learned time and again, one of the hardest things to pull off as a record producer is to capture that sound and feel in the studio. Well I'm happy to say it has been done and done well, Paul Westerberg (The Replacements) took his past experience playing both live and in studios, applied it and came up with a winner. What a great idea, take the band into the studio mike everything up and do the whole album in one take with minimal if any overdubs, as close to a "Live" setting as you can get. 

The result of these sessions are twelve songs that bust out of the gate and make you get your ass moving. The band consists of Tyler James Kelly (Guitar, Vocals) Matt Donnelly (Drums, Vocals) and Jonas Parmelee (Bass, Vocals). The band is just now starting to generate some serious buzz in the press after playing Riot Fest in Chicago to an impressed audience.

With a mix of Blues, Southern and British Rock influences each song takes on a life of its own, starting with the great bluesy rocker "I'm So Tired". You couldn't pick a better song to open the album with, it will grab you from the start and has a great hook. From the first few notes of their single "Down At The Heel" you are immediately transported back to the late 70's with a sound that could have been recorded during a Free/Bad Company session. Tyler James has one of those old school Rock and Roll voices which helps define The Silks sound. The single is backed with "One More Try" a deep cut from the third Rolling Stones album Out Of Our Heads, and it features Paul Westerberg on vocals and guitar, this 7 inch is already a hot item selling on Ebay for some big bucks...

"Mean Old Women" "Gravedigger" and "Try All You Want" each grab you and take you back further in time with some swampy bluesy slide guitar/harmonica songs that display some of the talent each member of the band has. Tyler James' guitar playing has a style all his own and songs like "All In The Family" show it off in great style, effortlessly moving from slide to power chords during the chorus, his songwriting prowess is amazing.

"Big Talking Man" "Trouble" and "Mountain Man" are straight ahead rock and roll songs that make you want to get up and dance. These are the songs that showcase the bands rhythm section of Matt and Jonas, their strong backbeat allows Tyler James to showoff his skills. The entire album is amazing and the closer "Learning How To Let Go" conjures up images of The Band with a sound that doesn't mimic them but somehow sounds familiar but different, this is an uncompromising record, showcasing the talents of each of the players and the sound and energy that is The Silks, I highly recommend picking it up as soon as you can.

The Silks – Last American Band cover artwork
The Silks – Last American Band — Independent, 2013

Recently-posted album reviews

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more

Fuming Mouth

The Ringing Bell”
Triple B (2026)

There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more