Review
Sleepingdog
Polar Life

Gizeh (2008) Matt T.

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

It's a rare delight when music completely unknown to you pops out of thin air to become one of your favorite releases of the year. Not that I intend to give away the ending of this review or anything.

Like most music of genuine quality, the sound of Polar Life is a tricky one to define easily. The lead is taken by either piano and acoustic guitar (although sometimes both are used), while a minimalist approach to backing of sparse electronics and strings serves to complement the sound without ever crowding the mix away from a familiar closeness.

Sleepingdog work a delicate tracery of gently revolving notes, an almost Broadrick-esque centrifugal pull of repetition that focuses on tight melodic songs that rarely outstay their welcome. The vocals float on top of the mix, never quite becoming an ethereal shoegaze echo but drifting over the piano and guitar like fine mist.

To these ears, the songs that focus on the use of the piano as a main instrument are the superior tunes on the record. This is particularly true at the beginning of the album, where the likes of "Prophets," "Your Eyes," and "The Sun Sinks In The Sea" lull you into a soft bliss. However, a distinct sense of ubiquity is ever-present and gives the listener the impression that all the songs could quite easily have been written on either instrument. All the material on Polar Life comes across as simple I don't mean that in any derogatory sense, or to imply that there isn't a strongly developed sense of songcrafting on here. What I mean is that there is an element of purity to the material, an inherent gentleness that permeates each track..

At times it feels that more may have been made of the backing instrumentation (in particular I'd love to hear what could be done with incorporating more electronic elements), and there is something of a classic mid-album slump bookended by the finer material. There is no particular punch or vigor to the music, but in all honesty that's something Sleepingdog is better off without anyway. If you're after something beautiful to lay across your ear canal on a pleasant Spring morning, you could do a hell of a lot worse than this.

8.5 / 10Matt T. • April 2, 2009

See also

Glissando, 27, Jose Gonzalez

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

Recently-posted album reviews

Oddfellows

Oddfellows
Dirtnap, Wild Honey Records (2026)

The self-titled album from Oddfellows was a long time coming. As in, the band formed in 1994. Now in 2026, they return with founding members Chris Pulliam, Mark Ryan, and Mike Throneberry, plus new addition Peter Salisbury to release their debut album just 32 years later. This lineup means you're going to get a Marked Men reference right away, but … Read more

Cel Ray

Cel Rayzer
Exploding In Sound Records (2026)

I don’t remember how, but I stumbled across Chicago’s Cel Ray in 2023 on the heels of their debut EP, Cellular Raymond. I was immediately hooked. After another EP and a single, the band finally brings us their debut long player, Cel Rayzer. To no surprise, it’s excellent. Cel Ray plays a brand of post-punk that’s lo-fi and streamlined. Singer … Read more

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more