Derek Edward Miller and Alexis Krauss start this record like it's a Van  Halen concert. They're tricking you into thinking that maybe after the  Skins commercials that had everyone humming "Kids," after the  Williamsburg and Pitchfork royalty fame, and after all the music  festivals they attended last year, they were going to take things in a  different direction - maybe a little more heavy metal. Before Reign of Terror came out, the band even described the album as "heavy, immense, and  huge." Sounds pretty metal, to me. But instead, they hit you again with a  distorted, loud, synthesized ballad with Krauss' eerie, soft almost  Marilyn Monroe-esque tone - "Born to Loose" and that's when you start to  feel the relief of something familiar.
A sophomore album needs  to be tactfully done these days if you want to even make a third album. A  lot of fans are complaining because the record is too "safe". I too,  would have liked to see this record be a little more experimental than  it is, but I think Miller and Krauss are smart and they're going to do  everything they can so they don't suffer from the dreaded sophomore  slump. They're going to do what they do best and they do it well on Reign of Terror.
Speaking  of them doing what they do best, that brings me to the next track,  "Crush" which is an thrash infused version of Gwen Stefani's "Hollaback  Girl" with an attitude. "Leader of the Pack," "Comeback Kid" and  "Demons" come next which are all fast, loud and actually, lyrically  inspiring without being cheesy (for Sleigh Bells, at least. If you've  heard their debut album, Treats,  you'll know their lyrics aren't exactly what I'd call deep. Not  necessarily a bad thing though). "Comeback Kid" is actually about  something that happened that was tragic and hard to deal with this past  year in Miller's life. You would think that this would warrant a more  serious feel to the song, but it's actually one of the more upbeat,  party sounding songs. The lyrics, however, will give you a little hint -  "I know you tried so hard, but you can’t even win / you gotta try a  little harder, you’re the comeback kid."
Remember that song on Treats,  "Rill Rill" formerly known as "Ring Ring" when they originally wrote  it? There are a lot more "Rill Rill" influenced songs on this album than  their last and they're also some highlights of the album. "End of the  Line," "Road to Hell" and "D.O.A." are three of the best songs on this  album. They're a lot more intricate with their sound, using different  instruments and arrangements to create it. Krauss' voice is used as an  instrument, even. It almost has a shogaze sound where the instruments  blend together with her voice. I predict that their third album will  actually have more of this sound - I think this was their way of  experimenting with this record.
One thing that will always ring  true about Sleigh Bells is their rough attitude and their eagerness to  party. I guess they're like Van Halen in some ways, after all.
 
         
             
            