Review / 200 Words Or Less
St. Vincent
Marry Me

Beggars Banquet (2007) Graham Isador

St. Vincent – Marry Me cover artwork
St. Vincent – Marry Me — Beggars Banquet, 2007

Those familiar with Sufjan Stevens or The Polyphonic Spree might recognize Annie Clark for her accompaniment to their most recent tours and discs. Earlier this year the multitalented indie rock darling released her first solo LP under the stage name St. Vincent. Like the aforementioned bands, Clark pushes forward her fair share of quirks in the triumphant debut that is Marry Me, with songs like "Jesus Saves, I Spend" and "Human Racing" leaving the listener pleasantly bemused. Contrarily the album's piano ballads work to highlight the songstress' beautiful voice and songwriting ability. While lacking in some of the pop sensibility that make many her genre's female contemporaries so successful, St. Vincent utilizes a wide variety of instrumentation to create a distinguishably unique sound. A dryly dark and romantic collection Marry Me easily fits among the best albums of the year, and promises great things for the blossoming musician.

St. Vincent – Marry Me cover artwork
St. Vincent – Marry Me — Beggars Banquet, 2007

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more