Review
Stop Breathing
Santa Cruz EP

Independent (2014) Nathan G. O'Brien

Stop Breathing – Santa Cruz EP cover artwork
Stop Breathing – Santa Cruz EP — Independent, 2014

Raging, fast, poignant, and so on; any number of commonly used hardcore band descriptors would be apropos when talking about the sonic onslaught of Oxnard, CA's Stop Breathing. Lead vocalist John Crerar says, “I like to think of us as a cross between RKL and Gorilla Biscuits with a dash of D.R.I.” So there’s that for a frame of reference. They put out a full-length LP back in 2012 that I never heard, but their new EP Santa Cruz is pretty rad by my standards. Instrumentation and production-wise it’s definitely on the cleaner side, but not some completely sterile cargo-shorts-custom-New-Era-fitted-cap shit. Reminds me a lot of the Straight Faced – Self Will Run Riot 7” from 1992. That is to say pop-punk kids who occasionally dabble in hardcore would dig it. And that’s not in any way intended as a rip; rather just contextual perspective. The whole thing was recorded and mixed in six hours, with the end result clocking in under seven minutes, so you know there’s no screwing around here. Aside from a few moments of wankery—like the blink-and-you’ll-miss-it solo on “Until We Die”—the guitars are fairly standard fare. What really stands out is the rhythm section. The drums drive the whole thing forward at a frantic pace, while the gravity of the bass tugs your cranium into ugly-mugged head-bobbing motion. Good stuff. Turn it up, curl your lip, and get into it.

Stop Breathing – Santa Cruz EP cover artwork
Stop Breathing – Santa Cruz EP — Independent, 2014

Related features

Stop Breathing

One Question Interviews • November 5, 2014

Related news

Stop Breathing's V in April

Posted in Records on February 3, 2015

Recently-posted album reviews

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more