Review
Sun Ra/Merzbow
Strange City

Cold Spring (2016) Spyros Stasis

Sun Ra/Merzbow – Strange City cover artwork
Sun Ra/Merzbow – Strange City — Cold Spring, 2016

Big kudos are due to Justin Mitchell of Cold Spring for making this release possible, and bringing to life one of the strangest meeting of the minds. Irwin Chusid of the Sun Ra estate released a few rare and unreleased tracks from the great artist, which would be remixed by noise maestro Masami Akita, also known as Merzbow. Strange City is the resulting remix/collaboration between the two, connecting the planes of free jazz and noise. The record was initially released in 2016, but the first reissue arrives just one year later. 

The album kicks off beautifully with Sun Ra and his Arkestra introducing a vivid free jazz aesthetic, but that is quickly submerged over the noise waves produced by Merzbow. The remainder of the record sees the noise take the lead in terms of loudness, coming upfront and covering all the background. It is a harsh process that Merzbow is implementing, instead of deciphering the cosmic messages of Sun Ra, he encrypts them with his own alien DNA. 

However, even behind the thick veil of noise, it is Sun Ra's spirit that guides the work. The structures, the cosmic sense and the rhythmic patterns, as altered as they are, all speak of Sun Ra's tone and modus operandi. The extreme renditions of Merzbow are coupled with the free jazz essence, projecting everything under a different light. The glass-like breaking sound in “Granular Jazz Part 2” for instance, present a stunning accompaniment to the sax phrases, coloring the edges around it before devouring it. 

Strange City depends as much on the textural as it does on the improvisational. Sun Ra and his lucid structures are spread through this work. The force of the artist, completely absorbed by the countless possibilities of pattern matching, rhythm deconstruction and inharmonic exploration provide the backbone of the release, and its free jazz spirit. The textural realm is enacted by Merzbow, who looks beyond the music itself and into the timbre that can be awakened from within. While Sun Ra explore the capabilities of music, Merzbow explore the capabilities of sound, pushing it to the limits. 

The overall achievement however is the strange sense of balance Strange City radiates with. While Merzbow's sonic razors are sharp and appear to be all over the spectrum, the presence of Sun Ra lies in the core of this work. Despite its disfigurement and tempering, it dictates the progression of the record, through modes of granular synthesis or extravagant processing. The most impressive moment of the record, “Livid Sun Loop” exhibits this uncanny balance, with the explosiveness of Merzbow in its purest form, while the underlying structures of Sun Ra providing the lucidity to this chaotic narrative. 

Sun Ra/Merzbow – Strange City cover artwork
Sun Ra/Merzbow – Strange City — Cold Spring, 2016

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more