Review
Ten 33
Nightmare on Grace St.

Blood & Ink (2005) Pat

Ten 33 – Nightmare on Grace St. cover artwork
Ten 33 – Nightmare on Grace St. — Blood & Ink, 2005

Yeah, I can get behind this. Speedy, straightforward hardcore punk with some youth crew influences and breakdowns. Sound like your thing? If so, I'd recommend peeping Ten 33's Nightmare on Grace St. or at least add them on Myspace or something.

With eleven songs in just over 20 minutes, the record has no real flaws. Hell, it doesn't have time for any. However, it also has no real highlights either. It's like that dude who comes to your party, gets wasted and acts like an ass, but does no real damage: entertaining, but essentially forgettable. Nightmare on Grace St. shows up, gets you pretty pumped if you're down with their style, but is pretty unlikely to remain in your brain for any longer than the album's duration. I'd hardly call it mediocre, but I can't picture anyone digging this so much that Ten 33 becomes his or her new favorite band.

I would definitely check these guys out live, and will definitely keep my free promo copy of their record. It's a perfect album to get you stoked while driving to a show or mowing the lawn. Yeah, that's what this is: lawn-mowing hXc.

If this seems like a short review, it's because it should be. There's only so much praise for gang vocals and 2-step parts that one can put into words before every review looks like a copy-paste operation. If this doesn't seem like a short review, you have a horrible attention span.

7.0 / 10Pat • August 16, 2005

Ten 33 – Nightmare on Grace St. cover artwork
Ten 33 – Nightmare on Grace St. — Blood & Ink, 2005

Recently-posted album reviews

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more