Review
Ten 33
Nightmare on Grace St.

Blood & Ink (2005) Pat

Ten 33 – Nightmare on Grace St. cover artwork
Ten 33 – Nightmare on Grace St. — Blood & Ink, 2005

Yeah, I can get behind this. Speedy, straightforward hardcore punk with some youth crew influences and breakdowns. Sound like your thing? If so, I'd recommend peeping Ten 33's Nightmare on Grace St. or at least add them on Myspace or something.

With eleven songs in just over 20 minutes, the record has no real flaws. Hell, it doesn't have time for any. However, it also has no real highlights either. It's like that dude who comes to your party, gets wasted and acts like an ass, but does no real damage: entertaining, but essentially forgettable. Nightmare on Grace St. shows up, gets you pretty pumped if you're down with their style, but is pretty unlikely to remain in your brain for any longer than the album's duration. I'd hardly call it mediocre, but I can't picture anyone digging this so much that Ten 33 becomes his or her new favorite band.

I would definitely check these guys out live, and will definitely keep my free promo copy of their record. It's a perfect album to get you stoked while driving to a show or mowing the lawn. Yeah, that's what this is: lawn-mowing hXc.

If this seems like a short review, it's because it should be. There's only so much praise for gang vocals and 2-step parts that one can put into words before every review looks like a copy-paste operation. If this doesn't seem like a short review, you have a horrible attention span.

7.0 / 10Pat • August 16, 2005

Ten 33 – Nightmare on Grace St. cover artwork
Ten 33 – Nightmare on Grace St. — Blood & Ink, 2005

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more