Review
The Aggrolites
Reggae Hit L.A.

Hellcat (2007) Rene

The Aggrolites – Reggae Hit L.A. cover artwork
The Aggrolites – Reggae Hit L.A. — Hellcat, 2007

Since about the year 2000, Tim Armstrong, Lars Frederickson and pretty much that has anything to do with Rancid has pretty much been a horrible venture, looking your way The Viking, Transplants and the last Rancid album. Prior to listening to this album the only conation I had about The Aggrolites was that they were Tim Armstrong's backing band for his solo project. So admittedly, I had them written off for quite awhile and let the album sit on the shelf for quite a bit. It took me more than a month to getting around and giving the album a shot.

In a broader sense, The Aggrolites face a different challenge- the average person in the year 2007 will probably disregard this band because of genre alone, the whole reggae/ska jive is pretty much dead to most people, with only minor remnants of the third wave around. I, on the other hand, still love ska and all its little sub-categories, so in this facet this is where The Aggrolites had some hope in pleasing me.

The first track on the album is "Work It," which I assume is supposed to be some sort of motto about the band's work effort, yea okay. The music has a nice vibe, but inserted into it is a very out of place keyboard or moog track. As I journeyed further into the album, I hope that these kind of odd effects wouldn't make their return, sadly they did.

The tracks "Reconcile" and "Free Time" are bit more on the mark. With tracks like these, The Aggrolites do demonstrate the ability to exhibit a nice groove a sound that is very akin to listening to on a summer afternoon. Unfortunately though for The Aggrolites, they continued to attempt to squeeze too many bells and whistles, sometimes literally, into their songs often distracting from the nice grooves that I could appreciate. Along with the odd keyboard effects, The Aggrolites attempt all sorts of out of place instrumentation and vocals that were too much to bother with.

With Reggae Hit LA, The Aggrolites are very hit or miss. Sometimes they are pleasing and other times they are very obnoxious. At times they exemplify everything that has caused me to lose faith in people like Tim Armstrong and other times they remind me why I actually started listening to this kind of music in the first place.

5.0 / 10Rene • July 11, 2007

See also

Tim Armstrong, The Transplants, High School Parties

The Aggrolites – Reggae Hit L.A. cover artwork
The Aggrolites – Reggae Hit L.A. — Hellcat, 2007

Related news

The Aquabats and The Aggrolites West Coast

Posted in Tours on May 10, 2023

Ska Nation in AU

Posted in Shows on September 13, 2022

The Aggrolites vinyl reissues

Posted in Records on November 28, 2020

Recently-posted album reviews

Scorching Tomb

Ossuary
Time To Kill (2025)

Whenever I see the cover art of an album for a metal band and there’s impaled skulls, blood, and a logo I can’t read, I know I’m getting ready to get obliterated. If I’m at the record store, I instantly flip it to the spine of the album to see the band’s name so I can check them out on … Read more

CF98

Stupid Punk
Double Helix, SBAM (2025)

If I said that Poland is known for pierogis and punk rock, would you believe me? Punk has a deep history in Poland ranging all the way back to the late 70s with the band Tilt and from the looks of it, it’s not stopping any time soon. CF98 has been a part of the scene for over two decades … Read more

Cluster Lizard

Herts
Prostir (2025)

Dmytro Fedorenko and Kateryna Zavoloka are two legendary artists who have defined much of contemporary experimental electronic music through both their various projects and through the now-defunct Kvitnu record label. One of their newer collaborations is Cluster Lizard, a project that has undergone an interesting evolution. Starting in 2017, Fedorenko and Zavoloka opted for a deeply off-kilter approach, with Edge … Read more