Review
The Beatles
Let It Be...Naked

Capitol (2003) Robby

The Beatles – Let It Be...Naked cover artwork
The Beatles – Let It Be...Naked — Capitol, 2003

What if Ringo finally realized that he wasn't selling out shows like his buddy Paul? What if Paul's queen may have drained her spending account and put a considerable hole in his? What if both were afraid of their ties to an alleged murderer?

The Beatles have seen their share of these sticky situations, and how do they get themselves out? Well, they turn to the age old tricks of releasing merchandise they know their fans will drink up. Thus we have the, yes, stripped down, version of Let It Be - Let It Be... Naked. So, we all know about the rising tensions that led to the Beatles' break up (if you haven't, just read one of the thousand biographies or just turn to your essential Beatles DVD set). So, you know that Let It Be marked the end of the Beatles dying career (besides Abbey Road), and you can hear the claustrophobic and tumultuous sessions on the album that was originally intended to be a soundtrack to a Beatles film. By the end of the recordings, George had walked out and John was starting fights. The disfragmented Beatles gave the tape to the Mr. Wall-of-Sound himself, Phil Spector, hoping that maybe he could squeeze something out of the bitter sessions.

Let It Be was released as a completely different entity that the Beatles' saw going into the studio. It was now overdubbed with an orchestra, choir and an overall, bigger sound. It was not a Beatles record, but rather Spector's interpretation of that. The ex-Beatles didn't like the outcome, but they had already given up.

So lets fast-forward thirty years. Paul's sitting in his house, reminiscing, and he still digs the original tapes. He calls Ringo, and Ringo does what Ringo has always done; digs into his creativity cabinet and comes up with a title: Let it Be... Naked.

With the between-song-studio-sounds removed, the songs remastered and resequenced, some songs added, some gone, a slew of commercials hit television sets all around the world, and then Let It Be... Naked hit stores!

And the verdict is... "Yeah, it's different, but really, how different is it?"

The collectors are going to like it, but what about the rest of us? How will a sparser version of a Beatles record be received in 2003? The public perception of music that can be popular, has changed. The success of the White Stripes and the Strokes has proved that music doesn't need to be produced to perfection - barren music is acceptable. Yet, despite this change, Let It Be... Naked's mark really isn't that profound. "Across the Universe" is noticeably sparser, as it was perhaps the most enhanced song on the original album. And of course, Paul gets his wish, being able to let the people hear "The Long and Winding Road" and the Lennon-disapproved "Let It Be" without the "ornate" production. But for those who don't exactly worship and listen to the Beatles everyday, the difference is barely noticeable. But, it's the Beatles, so I cannot go as far as saying this is a bad album, it contains their pop-brilliance and progression into maturity and complexity - which by no means was absent from the previous record. Let It Be... Naked is what the band and the fans have wanted - to scrape Spector's icing off the cake.

As another piece of Beatles history, Let It Be... Naked is essential, but otherwise its not worth the time. It may have been better if Sir Paul had just, let it be.

7.0 / 10Robby • February 29, 2004

The Beatles – Let It Be...Naked cover artwork
The Beatles – Let It Be...Naked — Capitol, 2003

Related news

A punk tribute to the Beatles

Posted in Records on April 18, 2025

Divided Heaven covers the Beatles

Posted in MP3s on November 1, 2022

Rundown Kreeps pay homage to The Beatles

Posted in Videos on August 27, 2022

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more