Review
The End of Six Thousand Years / Embrace the End
Split

Still Life (2006) Michael

The End of Six Thousand Years / Embrace the End – Split cover artwork
The End of Six Thousand Years / Embrace the End – Split — Still Life, 2006

Still Life Records delivers another slab of aggressive metalcore as it teams up Italy's The End of Six Thousand Years and Sacramento, California's Embrace the End. Each band contributes three songs each of punishing metalcore that will no doubt please any fan of the genre, whether they feel the genre is played out or are just getting into the scene.

The End of Six Thousand Years strike first and they do so in an impressive manner. Prior to hearing this album, I was not even aware of the band's existence, but now I am glad to have been introduced. "Immortal Fading" is an excellent mix of melodic death metal akin to At the Gates and Until Your Heart Stops-era Cave In. "Last Requiem" is more of the same, but in the concentrated form of a two-and-a-half minute track. The band truly shines on their last contribution, "A Burial." On the surface it's comparable to the other two tracks committed to tape, but the guitar work is even more focused as it shifts back and forth between the more thrashy parts and the breakdowns. I definitely look forward to hearing more from these guys.

Embrace the End hits up the flip side with three more tracks of ferocious metalcore. The downside is that these songs can all be found on their full-length, Counting Hallways to the Left, which was released in 2005 on Abacus. The songs here are apparently different versions, but they're practically identical to the ones found on the full-length. The upside is that these three songs are fantastic. Embrace the End deliver twisting and complex songs that vary in length from five to seven minutes. The songs are chuck full of punishing metal and hardcore with a slight tinge of death/grindcore. If you never picked up their full-length or neglected to check them out because listening to metalcore is taboo, I suggest you do so as it is by no means typical or watered down; it is one of the best core albums to come out in a long while.

Still Life Records seem to have a knack for finding quality bands from home - they're an Italian label - and afar. The End of Six Thousand Years is definitely a band to keep tabs on - they have a bright future ahead of themselves. And despite some major lineup shifts, Embrace the End is still planning a new album.

7.5 / 10Michael • February 20, 2007

The End of Six Thousand Years / Embrace the End – Split cover artwork
The End of Six Thousand Years / Embrace the End – Split — Still Life, 2006

Recently-posted album reviews

Menace Ruine

The Color of the Grave Is Green
Union Finale Records (2025)

One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die is Cast. In the coming years, they would expand this … Read more

Extortionist

Stare Into The Seething Wounds
Unique Leader (2025)

With a band name like Extortionist, you instantly know they aren’t messing around. I’ve watched enough true crime documentaries to know when you’re going to get tangled up with someone you shouldn’t. Hailing from the Pacific Northwest, this band gives you exactly what you want and expect – raw, merciless and unforgiving music. Looking at the cover art and their … Read more

The Carolyn

Pyramid Scheme of Grief
59X, Disconnect/Disconnect (2025)

This is one of my "find" records of the year so far. I caught a few songs by The Carolyn at FEST 22 and that essentially put them on my radar, but a new record gets a band even more on my radar. But I've been struggling on how to describe The Carolyn. I'll start with "like The Lawrence Arms, … Read more