Now, I don't like New Found Glory, but I bet these guys do.
Now, I don't like New Found Glory, but I bet these guys do.
Holy shit this sucks. It's not the worst music I've ever heard, they know how to use their instruments, but they lack the pizzazz of such pop artists as Michael Jackson and rock artists as Queen. In one song they even try to do the screaming back up thing, and contrived crap smells really bad. It's not even worth reading a review about this band on a shitty website.
Run of the mill hardcore-influenced pop-punk. The music is tolerable, nothing spectacular at all. I would rather listen to this than jump out of an airplane, I can say that, but I'll probably never listen to this album again. The CD was as predictable as a Friday the 13th sequel. Standard pop-punk songs all the way through, with the second to last track being a soft acoustic track for all the kids to break out their lighters to, and the final track being led into by a piano and then what do you know, here come the power chords for the big arena rock/pop-punk combo ending. If you love all the Drive Thru records stuff and all that, you might enjoy this. They can be just another pop-punk band for you to like, I'd be surprised if they became one of your top bands.
There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more
There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more
For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more
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