Review
The Guilt Show
Before They Know We're All Dead

Refoundation (2009) Jason

The Guilt Show – Before They Know We're All Dead cover artwork
The Guilt Show – Before They Know We're All Dead — Refoundation, 2009

Now this is more like it. After the slow burn of the opening track "Raise My Flag," The Guilt Show go for the throat with a violent thrashing attack of blitzkrieg type hardcore that reminds me of a cross between The Suicide File and Striking Distance. How awesome is that? Well yeah, it is awesome.

The Guilt Show, like their label mates Run With the Hunted, are another hardcore band on the political tip. But unlike Run With the Hunted, The Guilt Show doesn't try to bog you down with political vagueness. Instead they just goes for a quick swift kick in the nuts, lyrically. Then The Guilt Show offers up explanations to their lyrics in case you weren't quite clear on just what the point was.

Before They Know We're All Dead hits you like sledgehammer to the forehead and never relents. Before They Know We're All Dead is chock full of speedy beats, chunky guitars, the all-important decent mosh parts, and vocals that are on the high end of the register but never annoying. Some tracks on Before They Know We're All Dead do take a more The Hope Conspiracy feel to them but without feeling like a complete rip off. The Guilt Show just knows how to write a good heavy, noisy, hardcore song by trimming off the fat and going straight of the jugular with every chord struck.

Before They Know We're Dead is a great hardcore album and hopefully will get heard by a decent amount of ears even though The Guilt Show is an American band on an Italian label. I hope to hear more from this band in the future. Before They Know We're Dead is my unexpected surprised of 2009.

8.8 / 10Jason • December 1, 2009

The Guilt Show – Before They Know We're All Dead cover artwork
The Guilt Show – Before They Know We're All Dead — Refoundation, 2009

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more