The Mall plays post-hardcore with aspects of screamo and indie rock. But the most identifiable characteristic of their music is the use of keys. The have an 8-bit feel at times, and definitely dominate the musical landscape of the songs. Without the use of keys I would say that there is really nothing about these songs that stand out. I suppose you could liken The Mall to a more discordant and mathy version of Murder City Devils. A more current equivalent would be These Arms are Snakes.
Lutheran Heat have one of my favorite band names, a distinctly Minnesota tongue-in-cheek nod to local culture and mannerisms. But while I dig the band name, that's not really relevant to the rest of this review. Hi Again is their first record in 9 years, but it continues their garagey indie-punk tones. Expect garage rock guitar tones, slacker indie rock … Read more
Huma Utku is an explorer. From her early days under the R.A.N (Roads at Night) moniker, she displayed a deep appreciation for experimental electronic music. From the outset, Utku wove together dark ambient motifs, industrial themes, and post-club abstraction into a minimalist yet holistic vision. Since adopting her own name, that same sonic excavation has continued, with a sharpened focus … Read more
Ava Mendoza appeared in the avant-rock scene in the '10s, and throughout the decade, she defined many works with her adventurous guitar playing and tonality. She made her mark through projects like Unnatural Ways, the trio with Tim Dahl and Sam Ospovat, and her split release with Sir Richard Bishop of Sun City Girls, Ivory Tower. Along her journeys, she … Read more
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