Review / 200 Words Or Less
The Thucydidean Theory
Chapter III: World Reclamation

Independent (2008) Tohm

The Thucydidean Theory – Chapter III: World Reclamation cover artwork
The Thucydidean Theory – Chapter III: World Reclamation — Independent, 2008

Chapter III: World Reclamation is a bizarre release. The Thucydidean Theory combine punk and trance arrangements that are heavily bass-driven. This four song release features female vocals that mingle with vocal-like synth sounds. "Please Stop Calling My Office and Yelling 'Cunt' at Whoever Answers the Telephone" is the most upbeat track on World Reclamation. Although the band's hybridized ideas are ambitious, they lack a cohesive sound. The separate instruments don't mesh very well with one another, but it's apparent that the potential is there.

3.8 / 10Tohm • July 23, 2009

The Thucydidean Theory – Chapter III: World Reclamation cover artwork
The Thucydidean Theory – Chapter III: World Reclamation — Independent, 2008

Recently-posted album reviews

SUB/SHOP

Democatessen
Independent (2025)

Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are now choosing precision over spectacle. Across six tracks, Sub/Shop delivers … Read more

Guerilla Teens

I Cyclops / Pride of the Savanna-7"
Heavy Medication Records (2024)

One-eyed wind-up dancing eyeballs boppin' and weavin' with Scott "Deluxe" Drake and Jeff Fieldhouse from the one and only and never replicated the almighty "The Humpers". I was lucky to see them back in the 90's in Toronto at a hot, sweaty club in the dead of summer, back when there was a blue hue of cigarette smoke, a faint … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more