Review
Throwdown
Vendetta

Trustkill (2005) Pat

Throwdown – Vendetta cover artwork
Throwdown – Vendetta — Trustkill, 2005

Haymaker is one of the worst albums, hardcore or otherwise, I've ever heard. We're talking 'makes-Hatebreed-look-like-Converge' bad here. I honestly cannot fathom a duller, more cliched, and more mentally aggravating record ever coming out of any music scene (with the possible exception of post-rock). It was a harrowing, monstrous disappointment from a band who has managed to put out a couple records that I actually happen to enjoy quite a bit. Beyond Repair and even You Don't Have to be Blood to be Family are great slabs of moshable fun from a band that seems to sincerely have the hardcore life coursing through their veins; Haymaker sounds like a band who decided to record right after giving blood after cranking the pretentiousness up to 11.

So it should come as no surprise that its follow-up, Vendetta, is total fucking dog shit as well. The production is slick, shiny, and positively vomit-inducing. Their first two records were helped by mid-to lo-fi production that gave them a much rawer, grittier, and truer feel; Vendetta (much like Haymaker) feels like it was shit out by Dreamworks. The vocals aren't screamed so much as hoarsely mumbled, which is a direct contrast to former vocalist Keith's venom-dripping, distorted growl (especially on Beyond Repair). The lyrics... well, they've always been shitty, but now they're more unintentionally hilarious than ever. Simply put, this record is an exact carbon copy of Haymaker, which I hope, at this point to you, is an incredibly obviously bad thing.

I swear I'm really not one of those annoying hardcore naysayer elitists who thinks he's above every kid in camo shorts because he owns a Pantera album, but this is a record that is absolutely mind-numbingly boring. Please, people, there's plenty of good hardcore out there if you stretch beyond the confines of bands you catch on Fuse. I'm no hardcore authority, but I urge you with all sincerity to stay far, far away from this waste of plastic. The fact that kids will rush out and spend their (or their parents') hard-earned money on this is a crying shame and ought to be a crime. Is it so much to ask that a band actually show effort in their record-making process?

Pick up the new Bane or Champion if the thought of purchasing Vendetta even once darted across your mind. Both bands still have that important detail called passion in their music, whereas Throwdown now feels as emotionless as the Terminator, but obviously nowhere near as badass. This gets a point and a half for not being The Used, Bowling For Soup, or Atreyu.

P.S: What a lame/weak/retarded album cover!

1.5 / 10Pat • June 5, 2005

Throwdown – Vendetta cover artwork
Throwdown – Vendetta — Trustkill, 2005

Related news

The Mighty Mighty Bosstones' Hometown Throwdown 2019

Posted in Shows on September 29, 2019

Ex-Throwdown Vocalist Forms New Project

Posted in Bands on August 4, 2005

Recently-posted album reviews

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

The Went Wrongs

This Isn't What I Ordered
Transcendental Revolution (2026)

I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more

Spillings

Spillings
The Garotte (2026)

Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more