Review
Throwdown
Vendetta

Trustkill (2005) Pat

Throwdown – Vendetta cover artwork
Throwdown – Vendetta — Trustkill, 2005

Haymaker is one of the worst albums, hardcore or otherwise, I've ever heard. We're talking 'makes-Hatebreed-look-like-Converge' bad here. I honestly cannot fathom a duller, more cliched, and more mentally aggravating record ever coming out of any music scene (with the possible exception of post-rock). It was a harrowing, monstrous disappointment from a band who has managed to put out a couple records that I actually happen to enjoy quite a bit. Beyond Repair and even You Don't Have to be Blood to be Family are great slabs of moshable fun from a band that seems to sincerely have the hardcore life coursing through their veins; Haymaker sounds like a band who decided to record right after giving blood after cranking the pretentiousness up to 11.

So it should come as no surprise that its follow-up, Vendetta, is total fucking dog shit as well. The production is slick, shiny, and positively vomit-inducing. Their first two records were helped by mid-to lo-fi production that gave them a much rawer, grittier, and truer feel; Vendetta (much like Haymaker) feels like it was shit out by Dreamworks. The vocals aren't screamed so much as hoarsely mumbled, which is a direct contrast to former vocalist Keith's venom-dripping, distorted growl (especially on Beyond Repair). The lyrics... well, they've always been shitty, but now they're more unintentionally hilarious than ever. Simply put, this record is an exact carbon copy of Haymaker, which I hope, at this point to you, is an incredibly obviously bad thing.

I swear I'm really not one of those annoying hardcore naysayer elitists who thinks he's above every kid in camo shorts because he owns a Pantera album, but this is a record that is absolutely mind-numbingly boring. Please, people, there's plenty of good hardcore out there if you stretch beyond the confines of bands you catch on Fuse. I'm no hardcore authority, but I urge you with all sincerity to stay far, far away from this waste of plastic. The fact that kids will rush out and spend their (or their parents') hard-earned money on this is a crying shame and ought to be a crime. Is it so much to ask that a band actually show effort in their record-making process?

Pick up the new Bane or Champion if the thought of purchasing Vendetta even once darted across your mind. Both bands still have that important detail called passion in their music, whereas Throwdown now feels as emotionless as the Terminator, but obviously nowhere near as badass. This gets a point and a half for not being The Used, Bowling For Soup, or Atreyu.

P.S: What a lame/weak/retarded album cover!

1.5 / 10Pat • June 5, 2005

Throwdown – Vendetta cover artwork
Throwdown – Vendetta — Trustkill, 2005

Related news

The Mighty Mighty Bosstones' Hometown Throwdown 2019

Posted in Shows on September 29, 2019

Ex-Throwdown Vocalist Forms New Project

Posted in Bands on August 4, 2005

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Dromedary Records, Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more