Review
Toh Kay
Streetlight Lullabies

Pentimento Music (2011) Kristen Swanson

Toh Kay – Streetlight Lullabies cover artwork
Toh Kay – Streetlight Lullabies — Pentimento Music, 2011

I’ve read a lot of mixed reviews about this record, and based on the feedback received, I think it’s a really underrated album. Is it perfect? No, but it’s very rare to find a completely flawless album. Is it worth listening to? Of course, this is Tomas Kalnoky we’re talking about here. If you haven’t heard by now Streetlight Lullabies is Kalnoky’s latest solo release of stripped down, acoustic Streetlight Manifesto songs. And even though you may have heard these songs many times before, Kalnoky manages to make them completely original on this record. From the stunning photographs he took himself for the record’s cover and packaging to the ten Streetlight songs, Kalnoky really makes this record his own.

Considering that these days it’s rare to hear about ska music or even bands like Streetlight Manifesto and Catch 22, I really enjoyed hearing a new interpretation on these classic ska tracks. Kalnoky has a really clean and inviting voice, and the acoustics really allow for it to shine on this album. “Somewhere In The Between” sounds like a folksy and sweet melody, truly like a lullaby. Kalnoky also does a really cool and refreshing version of the song “Dear Sergio,” that’s still as catchy as the original song.

The song “Sick And Sad” is impressive. In fact the album is extremely impressive from this point on. “The Big Sleep” and “A Better Place, A Better Time” are heartbreakingly beautiful and completely blow away the original versions. The ending of “A Better Place, A Better Time” is my favorite part on the whole album and amazes me every single time I hear it. Streetlight Lullabies is definitely a soulful album and one of those records you have to be in the mood for, but when you’re in that mood, it completely satisfies you as a listener.

Like with most cover albums, I don’t think the point is to compare the songs to the original versions or that it’s meant to take away from the originals. That being said, as much as some of the songs shine on this record, others just didn’t compare. It should have been an EP and I think that would have made a stronger impact. Regardless, it’s obvious that Kalnoky put a lot of effort into this album and that should be appreciated. If you haven’t listened to Streetlight Lullabies yet, go buy the record now. And if you have listened and weren’t that into it, give it another shot.

See also

www.tohkay.com/

Toh Kay – Streetlight Lullabies cover artwork
Toh Kay – Streetlight Lullabies — Pentimento Music, 2011

Related news

New Streetlight Manifesto to hit shelves in April

Posted in Records on February 24, 2013

Revival Tour additions

Posted in Tours on February 5, 2013

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more