Review / 200 Words Or Less
Ultima Victima
La Batalla Sera Enterna

Detonate (2010) Jason

Ultima Victima – La Batalla Sera Enterna cover artwork
Ultima Victima – La Batalla Sera Enterna — Detonate, 2010


If there's nothing that I hate more is moshcore bands that feel it necessary for their mosh parts to have mosh parts over mosh parts. Ulitma Victima are from Mexico and sing (well bark) in Spanish. The last time I took a Spanish class was in the 10th grade so I have no clue what's going on here. I can tell you that Ultima Victima really love their mosh parts and musically they probably really love Terror and Donnybrook too. La Batalla Sera Enterna wouldn't be half bad of an EP if it weren't for over moshiness of it. Yeah, I'm making up words tonight. This EP is ridiculous with its mosh parts. I almost laughing at it with its earnest tough guy bravado straight down to picture of these gentlemen mean mugging the camera. Then I look at the cover art and completely lose it. This band could probably kick the crap out of me, but at least I would die laughing.

3.1 / 10Jason • November 22, 2010

Ultima Victima – La Batalla Sera Enterna cover artwork
Ultima Victima – La Batalla Sera Enterna — Detonate, 2010

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more