Review
Vaaska
Todos Contra Todos

Beach Impediment (2015) Nathan G. O'Brien

Vaaska – Todos Contra Todos cover artwork
Vaaska – Todos Contra Todos — Beach Impediment, 2015

I've been meaning to check out this Austin, TX-based band for quite some time now (they’ve been active since 2009) but for whatever reason I’ve never gotten around to it. So much punk, so little time I guess. They have released a string of EPs and splits up until this point, but this record is their first official LP. It found its way to me unsolicited and I couldn't be happier, as I actually had it on my to-buy list.

Vaaska play punk just the way I like it: noisy and fast. Like Criaturas, another band with whom they share membership, all they lyrics are in Spanish; something for which I am a total sucker even through my Spanish is shoddy at best. I mean, I can get through a week in Mexico if I’m only ordering food, taking cabs, and looking for the bathroom but that’s about it. But enough about me. What’s important to know is that this record totally rips.

Vaaska’s versatility is really impressive. D-beat is at the core but surrounding that is a whole load of scorching axe work, agile drumming, and rock ‘n’ roll attitude. The guitar solos on songs like “Guerra Sagrada” and “Masacre” are searing, extinction level licks that explode all over the tracks like mini mushroom clouds disintegrating basements full of crusty punks into piles of ash. And the drumming throughout the whole album drives an anxious, maniacal pace that rarely allows the listener a moment of rest. They play with a real assertive, almost arrogant attitude that I really dig. Kind of reminds me of Nightgaun. Production-wise, it’s fairly clean; not enough echo or white noise to be labeled as “raw”, or as big a room-filling sound as epic crust, but loud as all fuck.

Overall it's a really nice-looking package, featuring artwork by the always reliable Brian Miller. A lynch mob of charged skeleton punks wielding various weapons adorns the front cover, while another punk projectile vomits the song titles onto the back cover. Evin if derivative of the style, it still stands apart because of Miller's impeccable attention to detail. It comes with a two-sided lyric insert that shows a dedication to handwritten yet consistent font. Mail order copies from Beach Impediment are on translucent purple vinyl and are limited to 150. (Likely snatched up by the time you read this, but give it a shot.) Others, like the one I have, come in standard black.

Vaaska – Todos Contra Todos cover artwork
Vaaska – Todos Contra Todos — Beach Impediment, 2015

Related news

Compilation(s) for Gaza humanitarian relief

Posted in Records on August 27, 2024

http://vaaska.bandcamp.com/

Recently-posted album reviews

Radioactivity

Time Won't Bring Me Down
Dirtnap, Wild Honey Records (2025)

"When I've had enough of modern life, I go back to my analog ways." It's a simple quote, yet it captures so much about Radioactivity. It's been 10 years since the band released Silent Kill, and this time around the Jeff Burke-led group shows clear growth and change, while still capturing the same vibe as the previous two records. In … Read more

Tony Molina

On This Day
Slumberland Records (2025)

I went to a birthday party for my wife and six or seven other friends and acquaintances last night. I guess people liked having sex in January in the late 70s-early 80s? In Canada at least, that’s how we keep warm in the winter! Anyway, I was foraging at the smorgasbord with a couple former co-workers talking about my recent … Read more

Often Wrong

The Figs Are Starting to Rot
Far From Home Records (2025)

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis. They’re signed to Far From Home Records, a label … Read more