Review
What's Fluffy
Happy B-Day Mike

Independent (2013) Eli Zeger

What's Fluffy – Happy B-Day Mike cover artwork
What's Fluffy – Happy B-Day Mike — Independent, 2013

On Happy B-Day Mike, the latest self-release from math rockin’ boys What’s Fluffy, the Bloomfield, NJ quartet fires out six sonic anecdotes of hypnotic guitar lines, swaying time signatures, sparkling saxophonic blows, and never-ending feelings.

The EP, running at just over 18 minutes, opens up with “I Really Hate Cats”. The track isn’t something PETA should be worried about: it’s meant to show a correlation between the smugness of cats and teenage girls who pretend to be deep.

“I Wanna Be A Swan” follows, a vibrant ska song with speedy horn lines and blasting drums.

Despite being in a major key, “Midwest Sad Jamz” (a waltzy meshing of reverberated pianos with The World Is A Beautiful Place & I Am No Longer Afraid To Die-sounding choral dramatics) and the succeeding “College” (a sparse, yet powerful homage to leaving home and coming of age) are both the most melancholy tracks on Happy B-Day Mike. They end the album beautifully and comfortably.

Powerful drums, intricate guitar playing, spot-on bass lines, and jazz-tastic saxophones make Happy B-Day Mike a merciless instrumental beast, like the picture of King Kong in a bra destroying a metropolis on the cover. Although their lyrics aren’t at the same level as their instrumentation, What’s Fluffy still knows how to emo your pants off.

7.7 / 10Eli Zeger • October 29, 2013

What's Fluffy – Happy B-Day Mike cover artwork
What's Fluffy – Happy B-Day Mike — Independent, 2013

Recently-posted album reviews

Pallette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more