Review / Multiple Authors
Where Fear and Weapons Meet
Control

Eulogy (2003) — Sean, Shane, Zed

Where Fear and Weapons Meet – Control cover artwork
Where Fear and Weapons Meet – Control — Eulogy, 2003

This 6 song EP is nothing to start a big hoopla over. Sounds like basic, run of the mill hardcore to me. There is probably a little local band in your scene that does hardcore just as well. If you're a hardcore kid, you'll probably like this, if you're not, you probably won't.

I enjoy this record. Coming in fully expecting some new metal-core band, I was surprised with some old school style hardcore. This reminds me of being in high school and fucking ripping up the ole' skate spots years ago. This shit is just fun hardcore. Boasting some ex bands you wouldn't picture to play this music (Against All Authority and Keepsake?! Are you kidding me?!), this is for people who like NY style hardcore such as Sick of It All, who you can draw the biggest comparison to. If you like non flashy hardcore, check this CD out. I am going back to find their older releases myself.

When people first get into hardcore, they say it all sounds the same. This is understandable, because a lot of it sounds the same. In this case, we are subjected to music that doesn't really have it's own sound. The music reminds me of Sick Of It All and punk rock hardcore straight up with a lack of mosh breakdowns. If you are just getting into hardcore or punk, this isn't a good start. But if you are an enjoyer of punk and/or hardcore, you will be an enjoyer of this. It's not that this isn't good, it's just that there's better stuff that I would suggest checking out, such as the new Suicide File release. I also wanted to point out that the singer's vocals remind me of Scissorhands'.

6.0 / 10Zed

Where Fear and Weapons Meet – Control cover artwork
Where Fear and Weapons Meet – Control — Eulogy, 2003

Average score across three writers

6.0 / 10 — Sean, Shane, Zed • February 25, 2004

Recently-posted album reviews

Circuit des Yeux

Halo On The Inside
Matador (2025)

Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in Fohr's narrative sensibility, but it is no longer the same. … Read more

ZEPHR

Past Lives
Dumb Ghost, Snappy Little Numbers (2025)

Sometimes you can just hear the passion in a voice. ZEPHR is one of those bands. They defy convention a little bit, in that I associate gravelly voices with harsher, heavier sounds, but ZEPHR use sore-throat vocals to great effect with midtempo, emotional and melodic 3-chord chugging punk rock and some DC sound. In few words, it's raw, both musically … Read more

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more