Review / 200 Words Or Less
Wildhoney
Seventeen Forever

Photobooth Records (2014) Andy Armageddon

Wildhoney – Seventeen Forever cover artwork
Wildhoney – Seventeen Forever — Photobooth Records, 2014

Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe Trainor and Dave Litz deliver distorted background parts and tinny, warm melodies over bassist Alan Everhart’s ragged and growling bass, while Shusterich’s dreamy vocals make this song quite catchy with lyrics that fit perfectly into the musical base. 

“Get Out of My Dreams” is a more punchy, uptempo song that incorporates similarly intricate melodic construction and the more driving album finale “Soft Bats” positively glows when warm vocal harmonies show up during the chorus. The odd jingle-jangle of discordant, unconventional counter-melodies happening in these tracks speaks to the fact of how musically-savvy and open to experimentation Wildhoney is even this early on in their career. All things considered, this band is doing the neo-shoegaze thing better than most groups that have been trying for years and I couldn’t be more excited to hear their future releases.

Wildhoney – Seventeen Forever cover artwork
Wildhoney – Seventeen Forever — Photobooth Records, 2014

Recently-posted album reviews

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more