295 total search results — Page 15 of 15
Lustmord – Much Unseen Is Also Here
Review — December 20, 2024
Lustmord, the reluctant pioneer of the dark ambient scene has returned with another expansive work of existential dread in Much Unseen Is Also Here. His arsenal of industrial components, field recordings, and sampling are engineered to evoke a true sense of cosmic horror. While many extreme music acts embrace the …
Li Jianhong – Shuttle Raven of the Dream
Review — April 18, 2025
Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down …
Kreiviskai – Motinai
Review — June 7, 2025
Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further …
Circuit des Yeux – Halo On The Inside
Review — June 13, 2025
Haley Fohr's artistic vehicle, Circuit des Yeux, defies categorisation. Stamping the indie folk label on her was superficial, something dispelled easily once you have experienced the lo-fi distortion of "The Girl With No Name." It might be that under the layers of sonic disfigurement, a folk ethos is present in …
Painkiller – The Equinox
Review — June 24, 2025
Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried …
Painkiller – The Great God Pan
Review — June 29, 2025
Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, …
Ava Mendoza, Gabby Fluke-Mogul & Carolina Pérez – Mama Killa
Review — July 26, 2025
Ava Mendoza appeared in the avant-rock scene in the '10s, and throughout the decade, she defined many works with her adventurous guitar playing and tonality. She made her mark through projects like Unnatural Ways, the trio with Tim Dahl and Sam Ospovat, and her split release with Sir …
Huma Utku – Dracones
Review — August 4, 2025
Huma Utku is an explorer. From her early days under the R.A.N (Roads at Night) moniker, she displayed a deep appreciation for experimental electronic music. From the outset, Utku wove together dark ambient motifs, industrial themes, and post-club abstraction into a minimalist yet holistic vision. Since adopting her own name, …
Osmium – Osmium
Review — August 14, 2025
Osmium brings together four artistic heavyweights, united not just by a shared experimental ethos, but by a love of bespoke and often self-made instruments. On their debut record, Hildur Guðnadóttir harnesses the unstable feedback of the halldorophone, a cello-like instrument designed by Halldór Úlfarsson. James Ginzburg (emptyset) contributes …
Menace Ruine – The Color of the Grave Is Green
Review — October 12, 2025
One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die …
Cluster Lizard – Herts
Review — October 25, 2025
Dmytro Fedorenko and Kateryna Zavoloka are two legendary artists who have defined much of contemporary experimental electronic music through both their various projects and through the now-defunct Kvitnu record label. One of their newer collaborations is Cluster Lizard, a project that has undergone an interesting evolution. Starting in 2017, Fedorenko …
Relay For Death – Mutual Consuming
Review — October 29, 2025
At a time when experimental artists are constantly churning out new music, it is curious to find some that take their time. Rachel and Roxann Spikula might not be the most prolific creatives, but when they make an appearance, it is worth paying attention. The twin sisters have performed in …
Anna von Hausswolf – Iconoclasts
Review — December 4, 2025
One of the most distinct voices of the current generation, Anna von Hausswolff's sound is wide and far-reaching. From dark ambient atmospherics and organ music fixation, to noise rock momentum and neo-classical arrangements, her music always balances a primordial ritualism and contemporary applications. It is an ongoing process, one that …
Prayer Group – Strawberry
Review — December 12, 2025
Standing between genres can act as a vantage point. For Prayer Group, sitting at the intersection between noise rock and hardcore has armed them with the necessary arsenal to propel their anger and frustration forward. And so, through a series of EPs and singles, this work culminated in their 2022 …
