14 total search results
The Duke Spirit – Cuts Across the Land
Review — August 22, 2005
There are two kinds of reviews for The Duke Spirit's Cuts Across the Land - enthusiastic endorsements that focus on Liela Moss and her throaty, sensual vocals, or accounts of the sheer unadulterated indifference this most recent effort from the London-based group provokes. Unless, of course, you're that guy on …
Dragonland – Starfall
Review — September 13, 2005
I'll be honest. I expected certain things when I attended Yngwie Malmsteen's Rising Force show at the Hammersmith Apollo this past spring. I was prepared for all the aging rock couples of London, with their teased hair and blue eyeliner, and for the teenaged spotty hoards in Children of Bodom …
Scarling – So Long, Scarecrow
Review — November 25, 2005
It's going to sound silly, but in recent months, Scarling has taken on Moby Dick-like proportions in my life. They were that band that everyone told me I absolutely had to listen to, and each time I heard this, I grew a bit more reluctant to bother for no solid …
Bastard Sons of Johnny Cash – Mile Markers
Review — November 30, 2005
Be not afraid. Mile Markers by Bastard Sons of Johnny Cash is not the soundtrack to Aunt Edna's covert line-dancing ops at the Iron Horse Saloon. This is good country. Mellifluous, melodious, easy on the ears and heavy on the heart; it's where the best of country music always meant …
Sentenced – The Funeral Album
Review — December 17, 2005
Legend, and probably some interview posted somewhere on the internet, has it that halfway through recording The Funeral Album the members of Sentenced decided it would be their final project together. I suppose there's the potential for criticism in giving this album a stellar rating. Such a move might smack …
John Vanderslice – Pixel Revolt
Review — January 25, 2006
I get the distinct impression that John Vanderslice might be a bit of a flake. But after spending some time with Pixel Revolt, I'm also starting to think that he's hit the nail of urban hipster-dom right on it's untidily coiffed head, and on the whole, it's made a …
Depeche Mode – Playing the Angel
Review — December 23, 2005
I broke a fingernail tearing the shrink wrap off Playing the Angel - that's how excited I was to get into it. After the confusion caused by Exciter, and the months of consolation I indulged in with the two Singles collections, I was desperate for Martin Gore, Dave Gahan …
Mommy and Daddy – Duel at Dawn
Review — January 11, 2006
I probably should have known something was up when two thirds of the reviews I read of Mommy and Daddy's Duel at Dawn talked more about how much fun they are live when you didn't quite know what to expect from them than about the album. Let it be a …
Theo and the Skyscrapers – So Many Ways to Die
Review — August 27, 2008
It really is a double-edged sword to be visually compelling and a bit theatrical as a musician. If you're not Bowie and it isn't 1972, it's a pretty fine balance to strike with any success. Sometimes the visuals distract and obscure, and that's all there is to it. It seems …
Elvis Costello – Momofuku
Review — September 25, 2008
It can be kind of intimidating to just jump into the oeuvre of an artist like Elvis Costello. It's like playing Pin the Tail on the Donkey, but the wonderful old donkey has magic powers that let him move from one decade to the next - he's hard to get …
Okkervil River – The Stand Ins
Review — October 9, 2008
I have this vaguely unpleasant sensation lately when listening to The Stand Ins that Okkervil River's Will Sheff (guitar and vocals) is peering in the windows at me. I'm probably not alone in this, though. Throughout The Stand Ins, universal themes are rendered in careful fragments, and anchored with …
The Dalloways – Dirty Money and Filthy Love
Review — March 2, 2009
Sold; I'll take two, please. From start to finish, this five-track EP from California's The Dalloways is a gem. Dirty Money and Filthy Love, with its dry easy wit and lush pop sensibilities, is delightful in all the right ways. From the outset, it's instantly reminiscent of Belle and …
Fiancé – Please, Ambitious, Please
Review — March 4, 2009
Denver-based quartet Fiancé has put forth a pretty catchy follow-up to 2007's, The Girl From the Ivory Coast. With 2008's Please, Ambitious, Please, Patrick Maguire (vocals, piano), Michael James (guitar), Tyler Reschke (bass) and Chris Sturniolo (drums) have produced a compelling little offering. The instrumentation is beautiful and …
