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Reviews by Loren

666 total search results — Page 1 of 34

The Dauntless Elite – Graft

Review — February 7, 2008

The Dauntless Elite hail from Leeds and hold the honor of being the first international Plan-it-X band. With Graft, their first full-length, they deliver pop punk akin to many contemporary bands from the Midwestern United States. They've also released an EP and a couple 7"s. Upon putting in the …

NOFX – They've Actually Gotten Worse Live!

Review — February 11, 2008

"Ever done something you regret while drunk like...recorded a live album?" the press sheet states. As NOFX open the CD and Fat Mike announces, "Oh, shit, we have to go to work," the tone is set. Within five minutes, the president has been insulted and you're told that, if you …

Pyongyang Metro – Tower of White Tigers

Review — February 27, 2008

Pyongyang Metro is a tough band to separate from their other projects. The band shares members with Off With Their Heads, Rivethead, and Banner Pilot - bands with a unifying sound that's hard to dismiss. Tower of White Tigers, their debut release, is a different beast. It is the second …

The Tossers – Agony

Review — March 16, 2008

A handful of records on multiple labels, a World Series game, a Jimmy Kimmel appearance, a solo record...not bad for a band of Southside Chicagoans I first heard opening for Citizen Fish in 2000. With Agony, The Tossers' second release on Victory Records, they continue to steadily grow in …

The Seven Mile Journey – The Metamorphosis Project

Review — March 31, 2008

Operating under the post-rock banner, The Seven Mile Journey's The Metamorphosis Project offers an hour of sparse and atmospheric soundscapes. It is the group's second release for Denmark's Fonogram Agency, and is released in the United States on Pumpkin Seeds in the Sand. The design is minimal yet eye-catching, with …

The Black Hollies – Casting Shadows

Review — April 13, 2008

The Black Hollies feature three-fifths of Jersey City's Rye Coalition, but don't expect Casting Shadows, the trippy-covered Ernest Jenning release to match Rye Coalition's dirty rock. The Black Hollies play a blend of psychedelic and 60's garage-pop, complete with flowery imagery, sweet harmonies, and fuzzy guitar interludes. The album …

Ween – La Cucaracha

Review — April 23, 2008

If you don't know Ween at this point, it's difficult to sum them up in a few words. Eclectic, genre hopping, and parody come to mind, but they don't adequately explain the band and their dedicated cult following. The duo of Gene and Dean formed Ween in 1984. La Cucaracha …

The Tim Version – Decline of the Southern Gentleman

Review — May 20, 2008

At The Fest last fall I saw a lot of bands, most of which I had a previous idea of what they were about beforehand. One band I didn’t know, but lucked out to see because they were slotted before Bloodbath & Beyond and Tiltwheel, was Tampa's The Tim Version. …

Prizzy Prizzy Please – Prizzy Prizzy Please

Review — June 3, 2008

The band is named Prizzy Prizzy Please. They have bright colors and octopus tentacles on their cover. Instruments included: keyboards, bass, drums, and sax. The self-titled release from Prizzy Prizzy Please starts with a nice little buildup in the almost instrumental "Shorgasm." It features a hypnotic rhythm section accentuated with …

Tournament – Swordswallower

Review — June 10, 2008

With silkscreen cover art and a handwritten inventory number on Swordswallower, the Brooklyn-based Tournament (ex-Paragraph) have released an impressive debut. The press sheet is informative and avoids sounding too infomercial, and the personal approach (except for the handwritten "promo" on the inner sleeve) make this an appealing package from …

A Caesar Holiday – A Caesar Holiday

Review — July 1, 2008

The five-piece A Caesar Holiday offer up six tracks totaling forty-five minutes on their self-titled debut release. Featuring the combined instrumentation of violin, dual guitars, bass, drums, and accordion the Indianapolis group offer moody and mostly instrumental music falling somewhere between prog and post-rock. The album is at its strongest …

The Reds – Fugitives from the Laughing House

Review — July 14, 2008

Fugitives from the Laughing House comes twenty years after The Reds released their first single. Despite such a history, the band is not a household name and, with Fugitives from the Laughing House being only the band's second full-length since 1984 (sixth total) it's not that they've been overly prolific. …

The National Rifle – Wage Life

Review — July 29, 2008

What if Elvis Costello was still churning out upbeat, poppy numbers like his early work? What if you took away some of the crackle and rough edges, and replaced them with pristine production and a lot of "whoa-oh-oh's"? What if, to spice things up, you threw in a dash of …

You May Die in the Desert / Gifts from Enola – Harmonic Motion: Volume 1

Review — August 7, 2008

Harmonic Motion: Volume 1 is the start of a Differential Records series aiming to bring together like-sounding instrumental groups. The record starts off with "The Sound of Titans," a twelve minute atmospheric piece with several ups and downs in sound levels. For the most part, the song is more of …

The Architects – Vice

Review — August 18, 2008

You know that Less Than Jake song, "All My Best Friends Are Metalheads?" Well, just keep that in mind for a minute. On The Architects' third release, Vice, there are catchy, group-sung choruses that spring images of dudes in leather jackets walking in synch down a dark street. This, …

You May Die in the Desert – Bears in the Yukon

Review — September 2, 2008

You May Die in the Desert is a three-piece, self-described as an "uplifting jazzy trio [that] combines chaotic guitar riffs with atmospheric layover techniques." With Bears in the Yukon, the group wastes no time with introductions. Within the opening twenty seconds, the opener's melody is in full swing, showing …

Real McKenzies – Off the Leash

Review — September 14, 2008

What the world needs is more Dropkick Murphys, or perhaps something just different enough to spawn a new sub-subgenre. Unlike Dropkick Murphys, The Real McKenzies hail from Vancouver and parlay their Scottish heritage into a Celtic-fused melodic punk. Off the Leash is their fourth full-length release and second on Fat …

Baby Guts – The Kissing Disease

Review — September 19, 2008

I have to wonder what rock critics would've done without L7 and Babes in Toyland, as it seems every writer feels compelled to make comparisons to these bands whenever a female-fronted group is being discussed. That said, Minneapolis' Baby Guts show a bit of the ol' influence themselves. This is …

Racebannon – Acid or Blood

Review — September 25, 2008

My first thought when I look at Racebannon's Myspace profile is that their vocalist, Mike Anderson, has a bit of the curly-haired Ween look to him. That thought is quickly replaced as I scroll down at the four long-hairs, with dark symbols on their foreheads and doused with blood. The …

The Riot Before – Fists Buried in Pockets

Review — October 16, 2008

The Riot Before hail from Richmond but look and sound like a Gainesville band. Musically, I'd lump them in with American Steel and old Against Me!. There is a folk undertone, but the music is electric guitar-fueled punk rock with strong, emotive vocals. The band quickly establishes their sound with …