Jeremiah Duncan

There are plenty of supergroups that exist largely because of the names on the marquee. Big Circle feels different. While Glenn Mercer (The Feelies), Mike Watt (Minutemen, fIREHOSE), Dave Weckerman (The Feelies), and Dan Francia (Speed the Plough) all bring decades of musical history to the table, this debut EP isn't interested in nostalgia or individual spotlights. Instead, it succeeds … Read more

There’s a form of folk punk that treats every song like a drunken campfire confession with all its ragged shouting and romanticized self-destruction. Then there’s the version that feels mature and more reflective. It’s less interested in glorifying collapse and more concerned with figuring out what comes after it. Kyle Burnett’s Glory Days firmly belongs to the latter category. Best … Read more

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more

There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more