Blog — Page 114 of 282

Water of Life - Glenlivet

When it comes to my peers and whiskies, many like their “Glens” and adjectives like “sm00000th” are often used in combination with sliding hand gestures which seem to indicate that the drinking experience does not provide complications. I got my favourites in that section as well, however, when visiting a well-stocked hoochery, it is not necessarily the first or second port of call.

Then again “Glens” are a great dependable go-to when traveling to neither regions where bar selections look a bit bare in the whisky department.

Glenlivet is a Speyside distillery that has been on my radar for the longest time and starting with their 15-Year-Old was a great entry point as it is placed on both the affordable and more easily available spectrum of things.

Having aged in French Oak reserve, the nose is grapefruity, honeyed sweet and is shadowed by an interesting melange of darker shades comprised of chewy resinous wood and marzipan with a well-balanced acidity.

On the top of the mouth, things get interesting in the most velvety manner, with a sweet balance of warming winter time spices, i.e. cinnamon, cloves make an appearance on a solid foundation of chocolate and caramel, which is punctured by delicate bitter cherry and nutty highlights. The medium well-balanced finish accentuates floral notes mixed with white pepper, which make it reverberate nicely.

Great value for money and a very enjoyable mellow Speyside dram, which could be lifted by having a bit more of an ABV kick.

Now, enter the non-chill filtered cask strength Nàdurra range of the Glenlivet. Given its characteristics it is not wondrous that the Gaelic name is a telling one as it means “natural”.

Oh, what a glorious drop, whose subtle peatyness is derived from the final stretch of its barrel maturation being completed and rounded off with a stint in oak that previously housed peaty heavy hitters.

In essence, you get everything that makes a great Glenlivet here, yet with additional layers that add depth and dimension in terms of richness.

Bottled at cask strength, this non-age statement drop is a Glenlivet on 11, however, what tickled the nostrils is not overwhelmingly spirity. It has a bouquet that makes my hair stand up on the back of my neck as it is at times slightly reminiscent of a Laphroaig Select in terms of iodineness and martime peatyness mixed with tangy, nutted barley and coconut nuances. Enter saliva as it evokes a Pavlovian reaction.

Creamy on the palate, there are notes that could be found with the 15-Year-Old but again there is much more character in terms of robust flavours like raw peat, pears, cocoa, toasted almost and acidic pineapple emerging.

The elongated creamy finish is a tour de force meandering between chocolatey territory, citrus, peat with just the most subtle of lingering smoke.

The Nàdurra is by no means comparable to an Islay whisky, however, it never set out to be and is instead a stunning, complex feast of flavours that reigns supreme in its own league and is a real pleasure to drink.

Music and sports - Puma

The notion that music and sports make a formidable duo is something that is hard to argue with. The relationship stretches across different domains, be it crowds chanting along to fire up their teams or themed music performances that have become integral components of large-scale sporting events, with North America’s Superbowl halftime show being amongst the more prominent ones. Needless to say that such events have a tangible impact on consumer behaviours in the aftermath.

The interaction between musical artists and sports goes as far as some artists having changed their lyrics to incorporate references to sport related programs and events to accommodate the circumstances that their music was going to be used in, e.g. Hank Williams Jr.’s contribution to the football programs or even rebellious icons of Joan Jett’s calibre making modifications to their lyrical content for the same purpose.

Needless to say that some genres of music lend themselves better to fit in with sports, hence the prevalence of country, hip hop and rock versus e.g. classical music. The common denominators seem to be obvious as both music and sports are essentially about entertainment and the ensuing crowd interaction during a music show is not dissimilar to how crowds are hyped up during competitive sports events using an appropriate soundtrack.

On a more personal level, being a runner music is pivotal to me as it has the potential to elicit a small but significant effect on performance and proves to be a borderline ideal accompaniment for training. It helps me to focus and overcome sensations of fatigue, amplifies vigour and boosts my mood through disassociation and personal associations to what I am listening to. In essence, it does not only make exercise more fun but can be used as a powerful stimulant to either calm one down or psych one up.

An interesting positive side effect I find with cardio exercises is that when I can synchronize with the beat, it results in greater endurance and can add an element of fun to what at times can feel mundanely repetitive.

Apart from the enhancing effect music can have on sports, there is of course the relationship and association between artists and brands.

An example par excellence is the case of Run DMC, which not only made three stripes borderline congruent with hip hop but also found the brand inspired lyrical content which manifested in the group’s oeuvre and Adidas releasing specific editions as a nod to the group.

A brand that has accompanied me since my earliest youth is Puma.

Puma’s equivalent to the Run DMC collaboration is their nod to the 30th anniversary of Public Enemy release of their Fear of a Black Planet album, which inspired a recent Def Jam themed collaboration and capsule release that is informed by not only the style of the album but also Def Jam’s colourways.

The details of the release catapulted me back into Puma land as I found the Def Jam capsule release to not merely be a throwback move; but the nuances, details and branding to be excellent, paying homage to both Public Enemy and their label in a stylish, honorary and not declamatory way that manages to carry a social-justice charged message which could not possibly be more relevant today.

My first contact with Puma was in the 1980s. As I was an avid fan of Bayern Munich, Adidas was the obvious go-to, however, the association of Bayern’s trainer Udo Lattek and Puma’s endorsement of him made me curious about the brand.

One of my first sneakers I ever owned was the all-white Udo Lattek Velcro sneaker, which in my mind went perfectly well with Miami Vice merchandise I was collecting around the same time, and at least in my imagination the Udo Lattek model was something that Sonny Crocket would naturally wear. Cue Jan Hammer soundtrack.

Udo Lattek’s signature shoes, which through the course of time found different incarnations under a variety of names, were enthusiastically received by sneaker aficionados and became classics in their own right.

Fast-forward to 2020 and a close examination of Puma’s current incarnations shows that the DNA has been retained yet quite a few stylish and functional facets have been added that have made them a personal preferred go-to for sports related gear.

For my daily runs, I have tested and tried a wide array of self-proclaimed leaders in the field of creating the ideal running shoe, which is a moving target.

Now, when it comes to running shoes functionality and comfort reign supreme for me and beat style any given day. Given the aforementioned and being very much into early Jordan era high tops, Puma’s detailed Ralph Sampson variant is a dreamboat in terms of light comfort.

Puma’s low boot Enzo 2 is an example for a running show that surprised me in many aspects as its sole has the grip that keeps you grounded even on slippery ground and the design does not hurt the eye either. The branding is subtle and specifically for running an animal like a puma that adorns your gear only adds to the experience.

Given the state our world is in, sustainable business practices are needed more than ever and it was good to see Puma at the forefront with its FIRST MILE’s initiative. The initiative ticks quite a few boxes in the realm of sustainability as its foci are firmly set on supporting micro-economies in low-economy countries and essentially, turning plastic waste into products. The collection focusses on running gear and especially from a stylish standpoint, has an eye pleasing subtle edge to it.

The Hundreds is a California-based conglomerate that channels its attitude and personal perspective into subculture couture, and collaborations with other brands have been manifold over the years. I was quite excited when I heard about The Hundreds’ collaboration with Puma and what route would be taken.

The outcome is heavily focussed on vintage gear reminiscent of the 1990s with elaborate throwback branding. Both the half-zip neckline camouflage running jacket as well as the more colourful trackpants, offer a myriad of adjustable fit features, space for storage and elasticity.

What is striking is that the collaboration manages to walk the thin line of incorporating both the DNA of The Hundreds and Puma to create something refreshingly new while still honouring the respective brands’ legacies with the outcome being products that can also be worn casually without looking like a hoodlum.

An example par excellence for the successful collaboration between the two brands are the PUMA x THE HUNDREDS Palace Guard Sneakers with the brief having been to create an homage to the iconic style that was prevalent in the 1990s.

Yup, you spotted correctly – there’s preppy and jock-esque elements to the leather upper bits, however, the design is expertly crafted to not just hover in that territory but with its monochromatic edge reminiscent of running shoes gives it a profile that elevates the shoe and gives it a “je ne sais quoi” factor that makes it look much better in the third dimension than photographic depictions would have you think.

Interesting to see how effortlessly Puma delves into such collaborations to create gear with trademarked attributes being married with innovative endeavours.

There are a range of other recent Puma collaborations which might appeal to some more than others, e.g. racing related gear with BMW, Red Bull Racing, Porsche and Mercedes and while it comes with the territory of the respective sport, it is again the finer, subtle details that Puma seems to have a knack for as they are infused and omnipresent in each piece of apparel.

Compared to the many other sports apparel companies, I find Puma to be at the more affordable end, especially when it comes to sport shoes and sneakers as I find them to be more durable and to have an edge specifically when it comes to casual looks – an edge that comes about organically and not as forced as it is the case with many other brands.

Water of Life – W + A

The world of whisky is a varied one with a myriad of offerings that cater to tastes and preferences of all kinds. Once you determine your favourite drops and delve a bit into the rabbit holes flooded by the water of life, finding out the constituents of your favourites and why you find them appealing, gates to new microcosms open and things get both even more interesting but can also get overwhelming.

Given the lucrative nature of the spirits industry, there is no shortage of outlets that at least on the surface cater to your every whim, which is nice, however, the ones that are fuelled by a sincere dedication and burning passion to not only offer what you already know but are intrinsically motivated to take you on a journey of discovery are few and rare between.

Whisky and Alement is one of those.

From a distance, it might look like an ordinary whisky bar, however, the connoisseur will find out fairly quickly that there is much more to it than meets the eye. Having become a fixture not merely on the firmament of the Melbourne bar scene, but one of the prime locations nationally and a destination for international whisky aficionados alike, the core of W + A’s operations is based on a menu of over one thousands whiskies that not only cover all nuances of mainstream offerings but specifically put a focus on independent bottlings, which much to my delight are paired with a curated list of craft beers and cocktails.

What might sound like an elitist affair, could not be further from the truth as the attention to detail and care for their customers will see you in good hands, no matter if you are a novice looking for a bit of guidance or a luminary looking to indulge in a dram of a drop that has long disappeared from the shelves of other bars.

Affected by the malaise of COVID-19, the second wave of which is currently still ravaging Victoria and forced the state into a stage four lockdown, W + A’s efforts to transition operations to their online shop and virtual tastings has proved to be very successful to keep things going and enabled remote whisky aficionados to gain access to drops that would normally only be available via a visit to the physical bar.

Needless to see that especially the more refined distilleries form a conga line to not only team up with W + A for tastings but also for launches of their new and rare expressions.

An example par excellence is the virtual Yoichi Launch extravaganza, designed to celebrate the Australia launch of the new limited-edition release from the Nikka Distillery, i.e. the Nikka Yoichi Apple Brandy Wood Finish.

The nature of the virtual tasting allows for brand ambassadors and distillers to guide the tastings, which in this case is a celebration of the fruits of a love affair between the founders Masataka Taketsuru and Jessie Roberta Cowen, whose nuptial alliance left an imprint on the whisky industry at large, specifically Cowen’s preference for apples to which the Nikka Yoichi Apple Brandy Wood Finish is a tribute. Following its initial maturation, this limited-edition single malt undergoes a further six-month long finish in casks that formerly held apple brandy for over twenty-five years.

Apart from virtual tastings like the aforementioned, W + A has been working directly with distilleries and independent bottlers to release its own exclusive expressions, which are not available in 30ml juice bags for mail-order, priced so it does not break the bank and allows you to sample fantastic drops at home.

I cannot wait for travel restrictions to be eased to visit and experience W + A myself in the third dimension.

Thus Let Us Drink Beer – 3 Ravens Special editions

The story and evolution of 3 Ravens sound familiar: Having emerged from a microbrewery, the emissions were received well by the local community, demand outstripped the supply of their mainly European expressions and things started to be built up to a commercial scale.

Given the relatively early start date – at least compared to other Australian craft breweries – 3 Ravens is already firmly established in the brewing scene yet their evolution did not go at the expense of creativity and experimentation. I have yet to try their barrel-aged smoked beers, but their special range was what caught my attention straight away.

Following the brewery’s revamping and modifications pertaining to ownership, 3 Ravens returned stronger than ever with their core portfolio still intact but a range of new brews, some of which quickly morphed from being part of experimental limited series to becoming staples and lapped up and lauded by beer aficionados.

Recent releases include mixed fermentation, beer-wine hybrid and fruited beers and while some of their approaches sound like the outcome could be in novelty territory, the opposite is the case with their idiosyncratic approach to brewing.

Case in point: 3 Ravens 55, named after its ABV and originally released on their fifth birthday, is a pale ale that packs a punch and traverses between the coordinates of stone fruitiness, piny hoppyness and the dominant toasty grain influence in the most wonderful manner, with spicy highlights and a grounding bitterness.

Being an IPA man, the Passion Juicy New English Pale Ale series is one of my favourite out of 3 Ravens’ portfolio: While the foundation of the series remains constant, i.e. a melange of Amarillo, Galaxy, Strata and resinous Zappa hops with passionfruit juice added for good measure and the trademark pulp texture, nuances are changed with each release with the current one scoring high in the tangy, cereal region.

Now, entering wine territory when it comes to brewing might sound like taking things too far, however, as with all things 3 Ravens, not in this case:

The Heathcote Yellow Muscat comes in an interesting looking clear glass bottle and has a grocery long list of ingredients. Essentially, the unicorn is a hybrid of four different aged beers, which has been mixed with Yellow Muscat wine grape skins to add fermented sugar, before it was filtered and filled into bottled to referment.

Sounds like a handful and a bit overwhelming? Sure is.

Now, the flavour profile is….hard to fathom and one is tempted to utilise a flow chart to accommodate all the different territories that are covered. We are talking chocolate, fruits, spices, cider notes, bitterness, tangy under- and overtones, et cetera, et cetera. While this might sound like a mish mash, the beautiful thing is that each flavour nuance is distinct, yet it also makes sense in the interplay with all the other seemingly unrelated ones.

A tour de force in terms of flavours and one that cements 3 Ravens’ status as master brewers.

Cult Status

As Phillip Seymour Hoffman once quipped, you can view anything as a “cult” and some might claim that a “cult” is a religion with no political power, or is it?

Media luminary Tim Duggan takes us on an insightful journey down the rabbit hole of what constitutes a “cult” company and analysis what exactly constitutes and contributes to its status. Especially during current COVID-19 times, the strong identification a customer has with a company is more important than ever and companies emerging in this day and age, seem to have those evolving relationships firmly on their radar.

Duggan breaks the achievement of cult status down into common denominators comprised of seven dedicated steps / chapters, with each being embedded into anecdotes and framed with interviews, from which Duggan extracts and exemplifies fundamental learnings that the reader is tasked to implement in their respective business or project.

While it is interesting to see that to some extent there is a formula to achieving cult status, Duggan also does not miss to point out that there is a “je ne sais quoi” factor, which amplifies what a charismatic leader can achieves, part of which can be attributed to leadership emanating from the middle, not the front or back, i.e. the community a community has managed to build feels included and related to. The proof is in the pudding as the phenomenon explains why e.g. a lot of crowdfunded start-ups manage to often find an enthusiastic array of investors that become part of the journey and thereby a resource of liquidity that can be tapped into whenever needed.

An interesting tome no matter if you are trying your hand as an entrepreneur looking for guidance  in a principled and creative manner or if your viewpoint is that of a consumer.

We're All Going To Die

Stefen Hunt

The power of letting go can be immensely liberating and what greater fear could be let go off than the inevitability of death?

Instead of indulging in trivial distractions, Stefen Hunt has made the credo and personal epiphany “We’re All Going to Die” his maxim when it comes to the mundane trials that determine our lives and often cause anxiety and dread – an outlook that be empowering as it can help to reshape your perspective on life.

Based on a poem as the genesis and cataclysm for this book, Stefen Hunt’s book explores and tackles the deciphering the meaning of life from a child’s viewpoint. Drawing and illustrations accompany the eloquent prose, which puts the reader at their centre as they prompt questions to carefully question things one perceives to be set in stone, with the omnipresent and underlying question if you’d live your life in the same way if you knew the reaper was going to come a-knockin’ tomorrow.

A life-affirming book that serves as a reminder that it can be forgiven to fear the dark, but one should not feel afraid and paralysed by the light.